A Quote by Ben Harper
My head works in music, so there's always music there.
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I was raised a musician and I played classic music, violin, in orchestras and music comedy theaters, I have music running around in my head all the time, and if I hear music that's too interesting, I have to pay attention to it.
You have a history of art-music that you equate with music. That's what I love about that term art-music. It separates itself from music-music, the music people have always made.
I have loved music since I was a little kid. I was always wanted to write the music I hear in my head and have it be shared with the world.
I love all types of music - jazz, great pop music, world music and folk music - but the music I listen to most is piano music from the 18th, 19th and 20th century. Russian music in particular.
I make my music at night when there's no noise... Just me, my headphones and the silence. But I'm always making music in my head. It's like a non-stop radio!
Even when I'm not onstage singing, there's always music going on in my head. It's a curse and a blessing in a way - it's sitting in bed at night, trying to go to sleep, while the music keeps playing in your head - especially when you're trying to learn something new and you're trying to memorize it and get everything.
My pieces usually are programmed on concerts in which the other works are standard repertoire. My music always sounds very different when it's on a concert of all contemporary music. It always seems to stick out at an odd angle. This also makes me think of a question I sometimes debate with my friends: does the music of a composer directly reflect that composer's personality? This is a difficult one, but I think it usually does.
Music is my life. Music runs through my veins. Music inspires me. Music is a part of me. Music is all around us. Music soothes me. Music gives me hope when I lose faith. Music comforts me. Music is my refuge.
I've always connected with music. Life's not always what you see; it's what going on in your head. Music is what comes out of your subconscious.
Our peasant music, naturally, is invariably tonal, if not always in the sense that the inflexible major and minor system is tonal. (An "atonal" folk-music, in my opinion, is unthinkable.) Since we depend upon a tonal basis of this kind in our creative work, it is quite self-evident that our works are quite pronouncedly tonal in type. I must admit, however, that there was a time when I thought I was approaching a species of twelve-tone music. Yet even in works of that period the absolute tonal foundation is unmistakable.
I don't need a sensationalized headline to sell music or to bring attention to my music. It's the music and it's always been about the music.
A book, at the same time, also has to do with what I call a buzz in the head. It's a certain kind of music that I start hearing. It's the music of the language, but it's also the music of the story. I have to live with that music for a while before I can put any words on the page. I think that's because I have to get my body as much as my mind accustomed to the music of writing that particular book. It really is a mysterious feeling.
I have always loved the process of making the music, reading the letters from the fans who get married to my music, have children to my music and play my music at their funerals.
Country music was the music I was brought up on. It's the music that's closest to my heart and the music that speaks to me the most, and it's always been a big influence on my own songwriting.
I listen to all those kinds of music, from classic soul to hip-hop to Brazilian music to, you know, jazz to indie to alternative... And for me, when I'm making music, it's all in my head, and all those influences in my head. So if something comes to me that's a reference from a different genre then people are used to hearing from me, I'm not afraid to go there with it.
I’m a word freak. I like words. I’ve always compared writing to music. That’s the way I feel about good paragraphs. When it really works, it’s like music.
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