A Quote by Ben Harper

Every moral has a story, every story has and end. Every battle has its glory, and its consequence. — © Ben Harper
Every moral has a story, every story has and end. Every battle has its glory, and its consequence.
Shooting a new story out of order every week is a fundamentally different beast than stage work, where you tell the same story every night from beginning to end.
A romance novel is more than just a story in which two people fall in love. It's a very specific form of genre fiction. Not every story with a horse and a ranch in it is a Western; not every story with a murder in it is a mystery; and not every book that includes a love story can be classified as a romance novel.
In this story, the sun moves. In this story, every night meets a dawn and burns away in the bright morning. In this story, Winter can never hold back the Spring... He is the best of all possible audiences, the only Audience to see every scene, the Author who became a Character and heaped every shadow on Himself. The Greeks were right. Live in fear of a grinding end and a dank hereafter. Unless you know a bigger God, or better yet, are related to Him by blood.
Every story, every poem, every written piece is about belonging. There is a me, there is a we, there is an us, and we want to belong to it or we don't want to belong. You can read every story with this as its main focus.
Literature is an aspect of story and story is all that exists to make sense of reality. War is a story. Now you begin to see how powerful story is because it informs our worldview and our every action, our every justification is a story. So how can story not be truly transformative? I've seen it happen in real ways, not in sentimental ways or in the jargon of New Age liberal ideology.
You don't go to your 9 to 5 and share every story with your coworkers, and in the same way, not every YouTuber shares every story with their audience.
All that happens in the world of Nature or Man, - every war; every peace; every hour of prosperity; every hour of adversity; every election; every death ; every life; every success and every failure, - all change, - all permanence, - the perished leaf; the unutterable glory of stars, - all things speak truth to the thoughtful spirit.
Once you know the end of the story, every part of the story contains that end, and is only a way of reaching it.
There's this sense of being strange, which is at the heart of every creative person. Every writer, every actor, every director knows who Ripley is. We've made careers and lives out of pretending, making things up, inhabiting other people's stories and lives. That's what I do every day. . . . The story is so audacious and subversive: a central character who behaves badly and isn't apparently caught. That intrigued me no end.
Every step is basically a word, especially with musical theatre, because you're not doing it for dance's sake, you're promoting a story - and, more than that, a moral. You're propelling a story.
There are so many versions of every story because every storyteller tells the story differently.
Endings are the hardest part. I find there's a great relief that at the end of every episode, every hour of TV you produce, while you want a proper and satisfying ending, it doesn't have to end The Story, in capital letters.
If the point of life is the same as the point of a story, the point of life is character transformation. If I got any comfort as I set out on my first story, it was that in nearly every story, the protagonist is transformed. He's a jerk at the beginning and nice at the end, or a coward at the beginning and brave at the end. If the character doesn't change, the story hasn't happened yet. And if story is derived from real life, if story is just condensed version of life then life itself may be designed to change us so that we evolve from one kind of person to another.
Every pellet has a story all its own. Every pellet has a story all its own. With its fur and teeth and bones And one or two stones, Every pellet has a story all its own. We shall dissect every pellet with glee. Perhaps we'll find a rodents knee. And never shall we tire In the sacred task that we conspire, No do our work less perfectly And those bright flecks at the core, Which makes our hearts soar, Shall forever remain the deepest mystery. - The owlets in the Pelletorium at St. Aegolius
I think a novelist must be more tender with living or 'real' people. The moral imperative of having been entrusted with their story looms before you every day, in every sentence.
In every story I've written with Batman, there's an element of justice - you never want to have the story end on a defeatist or a cynical note.
This site uses cookies to ensure you get the best experience. More info...
Got it!