A Quote by Ben Horowitz

Breakthrough ideas usually come from guys who look like they're hallucinating — © Ben Horowitz
Breakthrough ideas usually come from guys who look like they're hallucinating
Indeed, the line between perceiving and hallucinating is not as crisp as we like to think. In a sense, when we look at the world, we are hallucinating all the time. One could almost regard perception as the act of choosing the one hallucination that best fits the incoming data.
When I see two guys kissing, I'm like, how come I can't kiss one of those guys? They look like they're having a good time.
I enjoyed so much working with the guys from Wilco, and riffing off of them, and having someone come up to me with ideas, because normally in the studio it's me who has to come up with all the ideas.
I definitely learned to communicate with other musicians better. I used to feel so intimidated by guys who can read notes, like, "Oh my god, they're gonna think I'm not even gonna be able to sit at the table." But I've come to see that a lot of these musicians don't know how to read music either, and that made me feel good. I could just come up with ideas or show somebody things and get the ideas across.
I always tell people there's nothing greater than a crisis to create a breakthrough. Because that's when we breakthrough usually - most people don't proactively breakthrough - they breakthrough because they have to. And the beauty of crisis is it doesn't feel beautiful, is it melts us down. And when you're melted down you can recast your life in a new way.
It's funny - I read that women look to chiseled-faced guys for one-night stands, and to round-faced guys for marriage. When I'm rounder in the face, I like to say, 'This is my long-term look.' Or 'This is my wife-and-kids look right here.'
It's funny - I read that women look to chiseled-faced guys for one-night stands, and to round-faced guys for marriage. When I'm rounder in the face, I like to say, 'This is my long-term look.' Or 'This is my wife-and-kids look right here.
Ever so often in the history of human endeavour, there comes a breakthrough that takes humankind across a frontier into a new era. ... today's announcement is such a breakthrough, a breakthrough that opens the way for massive advancement in the treatment of cancer and hereditary diseases. And that is only the beginning.
There are not a lot of young African-American guys who come through the video room. I wanted to make sure I was one of those guys, not only to live up to that standard but almost make a breakthrough for young African-American men. There is a pathway for you through the video room as well, but you have to be willing to do the work.
I'm a big-guy guy. I look at guys like Shaq, Ben Wallace, guys who play inside and play tough. I don't pay much attention to the little guys; I like the big guys who do the dirty work.
I'm more like a senior adviser so I don't like to come in here and try to take over. Just like your basic karate movie where the young guys come to the old guys with beards who have them do weird stuff to get to the other side. That's who I am, the old guy with a long beard.
I'm proposing to you that photography is a language on its own, which is that when you look at images you do derive ideas; and I'm also proposing to you that you can derive ideas without going through words. So I'm forcing you to really look. And this process of looking, it's like a new set of ideas that are being proposed to you.
Breakthrough ideas look crazy, nuts. It’s hard to think this way — I see it in other people’s body language, and I can feel it in my own, where I sometimes feel like I don’t even care if it’s going to work, I can’t take more change. O.K., Google, O.K., Twitter—but Airbnb? People staying in each other’s houses without there being a lot of axe murders?
The way to be successful in the software world is to come up with breakthrough software, and so whether it's Microsoft Office or Windows, its pushing that forward. New ideas, surprising the marketplace, so good engineering and good business are one in the same.
A lot of what I do is try to watch tape and understand how guys come out of breaks - what their footwork looks like, or how they look at the top of a pass route. Guys have tendencies. I try to understand what they do, which allows me to be successful.
Back when I was jamming with Axl and the guys they had boxes of cassettes with song ideas. How do you know which ones you like now when you have that many ideas.
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