A Quote by Ben Howard
In my late teens, I fell out of love with music - you know how kids are, when you're encouraged to do something, you rebel. But then I picked it back up again.
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Rebel, rebel, you've torn your dress. Rebel, rebel, your face is a mess. Rebel, rebel, how could they know? Hot tramp, I love you so.
I think it’s really important, and it’s a lesson I didn’t learn until my late teens: Whatever bands that you love, go find out what bands they love, and what bands turned them on, and then you really start getting into the human aspect of it because the further back you go in time the less technology you had, and consequently the better records you had. There’s this incredible library of music thank god.
And then he left, and came back, and our lives fell apart, like a well-loved book that you’d read and read again, until one night you picked it up to read yourself to sleep and the binding collapsed, sending dozens of pages spiraling toward the floor.
I just turned 40, and it's weird to think that I've been doing this almost my whole life. I was a child actor and then didn't do it through junior high and high school, then started up again in my late teens doing 'Young and the Restless.' Dabbled with school, went back to college, played around. I think I was doing Pleasantville at 23.
I was a rebel. I went to Carmel Convent in Delhi where I was a complete rebel. I thought I was 12 going on 18. I wanted to go out with friends older to me, stay out late - my parents were horrified. It was then that we began having our first disagreements.
I fell asleep during the draft, actually. I woke up, and I was picked No. 48. I didn't even know what number I was picked.
I have to make about a million proofs of everything. I don’t know, it’s just a repetition, like a meditation. You come back to something and then you leave it, and then you come back again and you leave it, and each time it changes. And sometimes you have to wait for new information inside yourself to be able to finish something, to find out how it should go.
Well, I didn't really grow up playing or listening to metal, like many of the kids I went to school with. I only got into it in my late teens, so when Marilyn Manson formed, it was at a time when I was still excited about approaching music from that angle.
Growing up, my height was faithfully tracked from infancy to my late teens on the door frame of my mom's office - the only place in my family's home in Toronto where writing on the walls was encouraged.
I started climbing in my late teens, but I wasn't passionate about it back then. My first experience was being dragged up peaks by my parents; freezing cold with nothing to see.
There's a problem for them [teens] when they have to get up and go to school in the morning, they're very sleepy, yet on the weekends, they'll sleep 12 hours, they'll sleep late and then go to bed late and wake up late. And on vacations, it's not a problem.
I fell in love with music at 13-years-old. I wanted to be a singer at first and a drummer. Then I fell in love with rap music.
It's hard to transport myself forward in time, and the scarcity of opportunity back then kind of fueled my ambition. But back in my day, every family I knew had a Super 8 camera, and that's what I first picked up. We adapt to the technology we have available. But for the kids of today, they can really make something great with what is available.
I feel like I got a good jump on the ball. I turned my head and picked a spot out to run to. I was able to look back at the ball real quick again and it fell right into my glove.
I love Rebel Rebel in Manhattan's West Village for vinyl, but record stores are hard to come by these days. I almost don't even use iTunes. I mostly use music subscription services. But I'll go into Rebel Rebel once a month or so and buy everything I love on vinyl.
I've been making Bass Communion music longer than any kind of other music. I don't know if you picked up a copy of a vinyl release I put out a couple of years ago of something called Altamont.
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