A Quote by Ben Howard

We were selling out venues, not just in London but also major cities in France and Germany before labels had even noticed what we were doing. — © Ben Howard
We were selling out venues, not just in London but also major cities in France and Germany before labels had even noticed what we were doing.
I played Thersites and I remember we were also doing some places out of town before starting our run at The Old Vic in London and we were at the Yvonne Arnaud Theatre in Guildford and I walked on stage and I've got an opening speech that begins: "Agamemnon, how if he had boils?" And I went on and said: "Agamemnon..." And a woman in the front row just went 'tut'. I thought: "I've only done four syllables, give us a chance!" I got one word out and the audience were already tutting. It was worse than any heckle I ever had doing comedy. So, I'll stick to gnomes.
Deep Purple was sinking with Ritchie. We were playing to quarter houses in Europe, which is one of our strongest territories - in Germany. Smaller venues, and they weren't even full. So had we continued that way, and had Ritchie not walked out, we would have finished; that would have been the end of it.
There were a lot of places, including Los Angeles, that didn't have major league baseball. There were other really large cities that had no major league teams, but at least they had college football.
Much of what Germany and France have done in the rescue of Greece has also helped German and French banks, who for a long time were major creditors for Greece and Greek banks.
Our international role depends on a strong Europe and a strong Europe depends on France's ability to share leadership with others, including Germany. If France is economically weak and doesn't carry out reforms, it is no longer credible. Europe's position on the global stage is thus weakened. I would like to change all that. France needs a strong Germany and a strong chancellor. But Germany also needs a strong France.
The Beatles realized that what they were making in the studio could never be performed. And they had already given up on performing because there were too many screaming fans and they were playing in larger and larger venues so they couldn't even hear what they were playing, it just wasn't any fun any more.
I've lived in a lot of places - London, Germany, Tokyo, Scotland, Ireland, Los Angeles, and New York. The fashion capitals I've lived in - Tokyo, London, and New York - have this stamp of coolness about them. But I've noticed that in big cities in general, people are just less afraid to be themselves when it comes to fashion.
Starship was a whole different thing. It was pop rock. It made more money and had more hit songs than Airplane. There was no cultural or social ethic behind it. For me, it was like selling out. I was the only one selling out. The rest enjoyed doing what they were doing.
Many in Germany are saying that Macron should be helped. That's also how I see it. But Germany cannot solve France's problems. The French president and his government will have to seriously knuckle down in order to pull France out of its slump.
The Moody Blues were a blues band, so when we got discovered, we were taken to London. That's where we started to make it. That's where the record labels were. That's where the action was.
When we started out, we were among the first. Beijing had no and Shanghai had very few large buildings. At that time, it was all about building, building, building - and then selling, selling, selling. We were working like a manufacturer. Soon, however, we realized that land was running out in Beijing and Shanghai. So we started keeping our buildings, and managing and renting them out. We became landowners. That was the second act.
Most of the victims of Nazi aggression were before the war less well off than Germany. They should not be expected by Germany to bear, unaided, the major costs of Nazi aggression.
Signing to a major, there weren't many bands from our sphere that were doing it. I mean, obviously R.E.M. had done it, and Husker Du and the Replacements had done it, and maybe Soul Asylum, but that was probably about it. Those four bands were pretty much the only ones from that milieu that had signed to a major.
Equal Vision seems to be doing really well. A lot of these major labels are just imploding and becoming indie labels, anyway.
All my records were dance-oriented, and all the hassle with major labels about changing my records, release dates, videos - everything was out of my hands. I always had to deal with somebody else, and I had a different perspective on a lot of things.
I consider that France and the Republic were in London during the occupation and that the Vichy regime was not France.
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