A Quote by Ben Howland
One thing a shooter loves is to make his first shot. He makes his first shot from three; that builds confidence.
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My brother acquired his first gun when he was very young, from a recently-fled drug dealer's residence. Now, he lived in a rural orange-grove area, and he shot at coyotes who killed his animals and at drug runners who used the groves for transport. Sometimes he joked that he only shot what moved.
After college, I really looked at every single shot that I shot. Pretty much every shot in my sophomore year and my junior year and just watched my form. I watched how I shot it from 3, and I just noticed I was a very undisciplined shooter.
The man who runs from his office to the golf club, gulps a sandwich, belches and races to the first tee has no business howling in anguish when he puts his first two shots in the woods, then tops a 3-iron shot into the pond.
Richard [Griffiths] was by my side during two of the most important moments of my career. In August 2000, before official production had even begun on Potter, we filmed a shot outside the Dursleys', which was my first ever shot as Harry. I was nervous and he made me feel at ease. Seven years later, we embarked on 'Equus' together. It was my first time doing a play but, terrified as I was, his encouragement, tutelage and humor made it a joy. In fact, any room he walked into was made twice as funny and twice as clever just by his presence.
In going for the last shot of the game most people wait too long to take the shot. Give yourself a chance to get the first shot and tap the ball in. Your players are normally inside the defense.
Every shot feels like the first shot of the day. If I'm on the range hitting shot after shot, I can hit them just as good as I did when I was 30. But out on the course, your body changes between shots. You get out of the cart, and you've got this 170-yard 5-iron over a bunker, and it goes about 138.
We're going to miss Damon. He was a great shooter. . . . He got what he wanted, but he gave up a lot. No more night life, no more warm weather and no more a lot of media attention. . . . I guess this was his first shot at getting something big. I guess he had to take it.
When you make a movie, you do it so piecemeal. You're doing it, not only scene by scene, out of order, but shot by shot, line by line. And there's this idea that the director has the whole thing in his or her head and they're going to somehow weave it all together in the end.
A lot of people say that I took the first shot for Bitcoin. The first person to walk through the door always gets shot, and then everyone else can come through.
A man who gives way to his passions is like a man who is shot by an enemy, catches the arrow in his hands, and then plunges it into his own heart. A man who is resisting his passions is like a man who is shot by an enemy, and although the arrow hits him, it does not seriously wound him because he is wearing a breastplate. But the man who is uprooting his passions is like a man who is shot by an enemy, but who strikes the arrow and shatters it or turns it back into his enemies heart.
We know about General John Kelly's military experience and his record there and being a decorated veteran of combat over in Iraq in particular. In fact, that's where I first met him was when Ramadi was shot to shambles during the surge era. We took a ride around there, even a minaret was shot in half and he pointed to that and said we were taking fire from that minaret. My son took that down with a 20 milimeter cannon. That's my first impression of John Kelly.
I took a shot of morphine, liked it, and eventually became addicted. It takes quite a while. It took me three months the first time. This nonsense of people becoming addicted with one shot is medically unsound.
As every golfer knows, no one ever lost his mind over one shot. It is rather the gradual process of shot after shot watching your score go to tatters - knowing that you have found a different way to bogey each hole.
You need to understand the batsman, where he plays his shot usually, which is his release shot, and then change the angle, vary the pace, line and length. You cannot always react after being at the receiving end.
What I try to do is find a weakness in my opponent. A way that I can hit you. One good, clean shot. Try to time it. If I can get it and the shot is there, if I find that shot in the first round and they go down, they go down. I'm prepared for anything, not just to get first round knockouts. If they're there, I'm not gonna resist to take them.
That's the storyboard that we have in the beginning [of Valerian]. It's an easy shot. It's just a spaceship coming in. That's the first layout. On the first layout, we see the timing of the shot and the speed. It starts to get some shadows, and we see that everything is moving in the back.
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