A Quote by Ben Jonson

The poet is the nearest borderer upon the orator. — © Ben Jonson
The poet is the nearest borderer upon the orator.

Quote Topics

No poet or orator has ever existed who believed there was any better than himself.
There has never been a poet or orator who thought another better than himself.
If it is naturally in you to be a good orator, a notable orator you will be when you have acquired knowledge and practice.
The orator is thereby an orator that keeps his feet ever on a fact.
If the poet wants to be a poet, the poet must force the poet to revise. If the poet doesn't wish to revise, let the poet abandon poetry and take up stamp-collecting or real estate.
A jazz musician is a combination orator, dialectician, mathematician, athlete, entertainer, poet, singer, dancer, diplomat, educator, student, comedian, artist, seducer, public masturbator, and general all-round good fellow.
Whatever poet, orator or sage may say of it, old age is still old age.
Whatever poet, orator, or sage may say of it, old age is still old age.
Modi is an excellent orator - sure, anybody who spouts untruths is an excellent orator.
Eloquence, to produce her full effect, should start from the head of the orator, as Pallas from the brain of Jove, completely armed and equipped. Diffidence, therefore, which is so able a mentor to the writer, would prove a dangerous counsellor for the orator.
The spiritual kinship between Lincoln and Whitman was founded upon their Americanism, their essential Westernism. Whitman had grown up without much formal education; Lincoln had scarcely any education. One had become the notable poet of the day; one the orator of the Gettsyburg Address. It was inevitable that Whitman as a poet should turn with a feeling of kinship to Lincoln, and even without any association or contact feel that Lincoln was his.
O thou sculptor, painter, poet! Take this lesson to thy heart: That is best which lieth nearest; Shape from that thy work of art.
I've never written poetry. I'm not a poet, but I think the nearest you get is either the short story or the novella, in that you can't waste a word. There is no hiding place: everything's got to be seen to relate, and the prose counts.
One of the appeals of William Carlos Williams to me is that he was many different kinds of poet. He tried out many different forms in his own way of, more or less, formlessness. He was also a poet who could be - he was a love poet, he was a poet of the natural order and he was also a political poet.
Every really able man, in whatever direction he works - a man of large affairs, an inventor, a statesman, an orator, a poet, a painter - if you talk sincerely with him, considers his work, however much admired, as far short of what it should be. What is this Better, this flying Ideal, but the perpetual promise of his Creator?
It's a big thing to call yourself a poet. All I can say is that I have always written poems. I don't think I'm interested in any discussion about whether I'm a good poet, a bad poet or a great poet. But I am sure, I want to write great poems. I think every poet should want that.
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