A Quote by Ben Jonson
Nor use too swelling, or ill-sounded words . . . .
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To use words and phrases in an easygoing manner without scrutinizing them too curiously is not in general a mark of ill-breeding. On the contrary, there is something low-bred in being too precise. But sometimes there is no help for it
To conclude, therefore, let no man upon a weak conceit of sobriety or an ill-applied moderation think or maintain that a man can search too far, or be too well studied in the book of God's word, or the book of God's works, divinity or philosophy; but rather let men endeavor an endless progress or proficience in both; only let men beware that they apply both to charity, and not to swelling; to use, and not to ostentation; and again, that they do not unwisely mingle or confound these learnings together.
It sounded weird to hear you talk so much; normally you only said a few words at a time. I'd never imagined that you'd have a story, too. Until that moment, you were just the kidnapper. You didn't have reasons for anything. You were stupid and evil and mentally ill. That was all. When you started talking, you started changing.
Make your copy straightforward to read, understand and use. Use easy words; those that are used for everyday speech. Use phrases that are not too imprecise and very understandable. Do not be too stuffy; remove pompous words and substitute them with plain words. Minimize complicated gimmicks and constructions. If you can't give the data directly and briefly, you must consider writing the copy again.
Words are not too old, only people are too old if they use the same words too frequently.
Little Words When you are gone, there is nor bloom nor leaf, Nor singing sea at night, nor silver birds; And I can only stare, and shape my grief In little words. I cannot conjure loveliness, to drown The bitter woe that racks my cords apart. The weary pen that sets my sorrow down Feeds at my heart. There is no mercy in the shifting year, No beauty wraps me tenderly about. I turn to little words- so you, my dear, Can spell them out.
It is within the police power of the state to prohibit public use of fighting words that create a danger of breach of the peace, but simply to prohibit public use of fighting words is too broad. Those words may sometimes be used in situations where there is no danger.
The arrogance is not greatness but swelling; and the swelling seems big but it's not healthy.
It is by discourse that men associate, and words are imposed according to the apprehension of the vulgar. And therefore the ill and unfit choice of words wonderfully obsesses the understanding. Nor do the definitions or explanations wherewith in some things learned men are wont to guard and defend themselves, by any means set the matter right. But words plainly force and overrule the understanding, and throw all into confusion, and lead men away into innumerable and inane controversies and fancies.
Nobody will use other people's experience, nor have any of his own till it is too late to use it.
For I have neither wit, nor words, nor worth, Action, nor utterance, nor the power of speech, To stir men's blood: I only speak right on; I tell you that which you yourselves do know.
Hush! Check those words. Do not cure ill with ill and make your pain still heavier than it is.
And now we get down to two magic words that tell us how to accomplish just about anything we want to accomplish, two powerful words that can change any situation, two dynamic words that all too few people use. And what are these two amazing words? Do it!
...I would think how words go straight up in a thin line, quick and harmless, and how terribly doing goes along the earth, clinging to it, so that after a while the two lines are too far apart for the same person to straddle from one to the other; and that sin and love and fear are just sounds that people who never sinned nor loved nor feared have for what they never had and cannot have until they forget the words.
Good authors, too, who once knew better words now only use four-letter words writing prose... anything goes.
One is neither too scrupulous nor too sincere nor too submissive to nature; but one is more or less master of one's model, and, above all, of the means of expression.
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