A Quote by Ben Jonson

Words borrowed of Antiquity do lend a kind of Majesty to style, and are not without their delight sometimes. For they have the authority of years, and out of their intermission do win to themselves a kind of grace-like newness. But the eldest of the present, and newest of the past Language, is the best.
It hardly needs explaining at length, I think, how much authority or beauty is added to style by the timely use of proverbs. In the first place who does not see what dignity they confer on style by their antiquity alone?... And so to interweave adages deftly and appropriately is to make the language as a whole glitter with sparkles from Antiquity, please us with the colours of the art of rhetoric, gleam with jewel-like words of wisdom, and charm us with titbits of wit and humour.
In the future, we've forgotten it. It's disappointing to find out that the past is the present is the future. Nobody wants that. And yet, that's what it is. Maybe it's a kind of surrealist move, to use language like "post-racial" - thinking that if you create the language for it, it will happen. I wish it worked that way. But that's not our reality.
Kind hearts are the gardens, Kind thoughts are the roots, Kind words are the flowers, Kind deeds are the fruits, Take care of your garden And keep out the weeds, Fill it with sunshine, Kind words, and Kind deeds.
I was the eldest of five children, and although I never saw myself as any kind of leader, as the eldest, like it or not, you have some power inherent in that position.
And we live in a kind of realm of language and words and so forth. So we can sort of relate to them. They don't exist without us. We create words.
The inflated style is itself a kind of euphemism. A mass of Latin words falls upon the facts like soft snow, blurring the outlines and covering up all the details. The great enemy of clear language is insincerity.
I think more and more that I get to challenge myself and kind of raise the standard for myself every season. Even the term 'fashion' is about change. It's about newness. And what that newness means is different every 10 years, every five years.
I think more and more that I get to challenge myself and kind of raise the standard for myself every season. Even the term fashion is about change. It's about newness. And what that newness means is different every 10 years, every five years.
Sometimes I just start humming something, find a melody I like a lot, and if it sticks around for a couple days, a few words will lock themselves into place. I might just get the first line. Then words just keep falling into the syllables. The choruses kind of write themselves and verses I have to work at a little bit.
I mean Ally McBeal was sort of the closest thing I can think of to kind of being a comedy-drama but that had its own kind of style that meant it got kind of big sometimes. But it was a great show.
Obviously people's feelings are going to get hurt when you use certain words, but you can't outlaw words. They're really the history of our culture. They tell you what's going on. When you make words politically incorrect you're taking all the poetry out of the language. I'm pro anybody living their lives the way they want to live, sexually and otherwise; and I'm anti any kind of language repression.
Sometimes the data has a sense of a structure within it, especially if I'm looking at networks or relationships, which generally lend themselves to a certain style.
Well, it kind of hurts when the kind of words you write And kind of turn themselves into knives And don't mind my nerve you can call it fiction 'Cause I like being submerged in your contradictions, dear 'Cause here we are, here we are Although you were biased, I love your advice Your comebacks they're quick and probably Have to do with your insecurities There's no shame in being crazy depending on how you take these Words they're paraphrasing this relationship we're staging And it's a beautiful mess, yes, it is It's like we're picking up trash in dresses
We must abandon completely the notion of blaming the past for any kind of situation we're in and reverse our thinking and see that the past always flows back from the present. That now is the creative point of life. So you see it's like the idea of forgiving somebody, you change the meaning of the past by doing that...Also, watch the flow of music. The melody as its expressed is changed by notes that come later. Just as the meaning of a sentence...you wait till later to find out what the sentence means...The present is always changing the past.
I like [George] Benson because I just like it. I like that kind of style. I don't like the broken up kind of style. I don't like where you play for 16 bars and then break it up into what somebody's version of what birds twittering sounds like, or what the sound of the city is, or what New York sounds like.
Sometimes I'm trying to communicate a feeling. Sometimes I can't piece it together into any kind of coherant thesis. I'm just trying to evoke some kind of mood, and put some kind of idea in somebody's head. If Marshall McLuhan or Harold Innis were looking at it, they would tell you that the genre of rock music isn't the best way to deliver a political message because it distorts it, it makes it into entertainment. Perhaps the best political message is just to speak it to somebody. I think that's something I'm always writing about in songs, just how to mediate, how to present something.
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