A Quote by Ben Katchor

I was born Moishe Ketzelbourd but the Indians call me Maurice Cougar. — © Ben Katchor
I was born Moishe Ketzelbourd but the Indians call me Maurice Cougar.

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[Moishe] explained to me, with great emphasis, that every question possessed a power that was lost in the answer.... And why do you pray, Moishe?' I asked him. I pray to the God within me for the strength to ask Him the real questions.
The fact that Maurice Sendak said, "This is something that I made at your age, this was something that was personal to me, and now you need to take it and make something that's personal to you." I don't know, but we made the Where The Wild Things Are movie that we set out to make, and Maurice loves it. If Maurice was anxious about it, then I would be petrified.
He educated Maurice, or rather his spirit educated Maurice's spirit, for they themselves became equal. Neither thought "Am I led; am I leading?" Love had caught him out of triviality and Maurice out of bewilderment in order that two imperfect souls might touch perfection.
I wanted a half-hour, single-camera comedy with a great lead where I could be No. 2 or 3 on the call sheet, and it was going to get on the air. Those were my criteria, and they sent me 'Cougar Town.' I read it and loved it.
It is said that Indians were sometimes named for the first thing they saw when they were born. Makes you wonder why there aren't more Indians named Hairy Pussy, doesn't it?
The great thing about a name like 'Cougar Town' is that you hear it once and you remember it forever. Its a very loud title. But there's a connection to the word 'cougar' that means a lot of people are going to be turned off right away by the title alone without even giving the show a chance.
The great thing about a name like 'Cougar Town' is that you hear it once and you remember it forever. It's a very 'loud' title. But there's a connection to the word 'cougar' that means a lot of people are going to be turned off right away by the title alone without even giving the show a chance.
People say they don't want to call a call-centre in India. Why not? They're doing the same job - you just don't like Indians.
But I sent letters to people in the music business. And one day I got a phone call from somebody and he asked me when I was born and where I was born. And, you know, three or four days later I got a call. Someone said, you know, Yoko Ono wanted to meet me in New York. I got on a plane. And the next day I was having coffee with John Lennon.
Political consequences have never really come into my thinking. I didn't think about it when we made 'Maurice' or when I said first I would co-direct and then write the screenplay of 'Call Me'. I was just making something I thought I would enjoy creating.
Give these Indians little farms, survey them, let them put fences around them, let them have their own horses, cows, sheep, things that they can call their own, and it will do away with tribal Indians.
Indians are born with an instinct for riding, rowing, hunting, fishing, and swimming. Americans are born with an instinct for fooling around with machines.
We need to give out portrayal of ourselves. Every non-Indian writer writes about 1860 to 1890 pretty much, and there is no non-Indian writer that can write movies about contemporary Indians. Only Indians can. Indians are usually romanticized. Non-Indians are totally irrepsonsible with the appropriation of Indians, because any time tou have an Indian in a movie, it's political. They're not used as people, they're used as points.
If some people can imagine that a person they love is alive in another world, why can't I imagine Maurice is alive in this one An artist is a person who uses art to run away from reality. It's not wrong-it's survival. There's nothing wrong with me creating a world in which Maurice is alive.
A trip to a Central American jungle to watch how Indians behave near a bridge won't make you see either the jungle or the bridge or the Indians if you believe that the civilization you were born into is the only one that counts. Go and look around with the idea that everything you learned in school and college is wrong.
I was knocking on people's doors. I knocked on a white couple's door, and I told them, I says, 'Excuse me, but I've been born again.' The guy said, 'Hon, call security. There's a little black guy here talking about how he been born again. Call the police.'
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