A Quote by Ben Kingsley
I do remember, as a child, that I always imagined, when I was maybe 6 or 7, my fantasy was that everywhere I went I was being followed by an invisible film crew.
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I find that in the process of making a film you're constantly discovering things that you never even imagined would work at the beginning. Actors come into the film and do things you never even imagined. Production designers come in, the director of photography lights it in a way that you never imagined. So, it's always evolving, always exciting.
My dad was an actor, and my older sister is an actress, and so I very much remember thinking, "Well, of course I'll do that as well." But I never imagined myself as an actor who would be in films. I always only thought of myself being in a play or a musical and maybe the odd episode of [U.K. '80s TV drama] Casualty. My backup plan was to do something with children, to start a nursery school or work with underprivileged kids. And I still dream of maybe doing that in some way. I've always got children in my house, always.
A mother should have some fantasy about her child's future. It will increase her interest in the child, for one thing. To turn the fantasy into a program to make the child fly an airplane across the country, for example, isn't the point. That's the fulfillment of the parent's own dreams. That's different. Having a fantasy - which the child will either seek to fulfill or rebel against furiously - at least gives a child some expectation to meet or reject.
The Democrats continue to snipe at Bush. They'll never give it up to him. You know Teddy Kennedy and Tom Daschle pick more nits than a father and son spider monkey team who know they're being followed by a National Geographic film crew.
I've always been willing to take challenges, I grew up taking challenges: being an only child, having a mother, no father, I've always been one who has always done things the way I thought they should be done and not, and not having to answer to anybody for it and I've always taken my own chances and I've always followed by instincts according, mother would follow, follow wit, instincts, wisdom, whatever, always followed that.
When we really start searching for the truth in stories, we can find it everywhere, not just in sincere confessions but in the deliberate lies and imagined possibilities, the magic and fantasy, and all the other unreal elements that go into the concoction of identity.
The visible is always a mirror of the invisible. The reality is imagined before it manifests itself.
Maybe it's wrong when we remember breakthroughs to our own being as something that occurs in discrete, extraordinary moments. Maybe falling in love, the piercing knowledge that we ourselves will someday die, and the love of snow are in reality not some sudden events; maybe they were always present. Maybe they never completely vanish, either.
I'm a middle child, so I have middle-child syndrome. With a middle child, you always have to take in everything and adjust and maybe compromise a little bit so you're able to see both sides of an issue. I'm also a Leo - I love astrology - so that affected me, just being a lion.
I actually remember getting asked when we were at the Cannes Film Festival, what I expected to do next. I remember feeling like there was no way I could've imagined that something like Tetro would have happened to me.
In spite of being professionally gregarious, in my nonpaid hours I'm a bit of a hermit. After being around a crew of fifty people for twelve hours a day on a film set, I really like my alone time, and as always, I abhor small talk.
I remember being on Atonement and it felt very right to be there. There was so much excitement every day. I remember very vividly how it felt to be a child on a film set, and that is actually really important to hold on to for as long as you continue to make films.
My first three manuscripts were epic fantasy - like high fantasy - and then the fourth one was a historical fantasy about Mozart as a child. I still have a soft spot for that one!
My family has always made clothes. Growing up I can remember sewing machines being everywhere.
Invisible Beasts is a strange and beautiful meditation on love and seeing, a hybrid of fantasy and field guide, novel and essay, treatise and fable. With one hand it offers a sad commentary on environmental degradation, while with the other it presents a bright, whimsical, and funny exploration of what it means to be human. It's wonderfully written, crazily imagined, and absolutely original.
You know, when I was a kid waiting on the bus, I remember that was when I imagined my life. I imagined everything that I was gonna be when I grew up and I imagined all of these amazing journeys and amazing people I'd meet. Of course, all of it has kind of come to fruition.
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