A Quote by Ben Kingsley

I've never had to turn my hand to anything for monetary gain, other than pretending to be somebody else. I'm deeply fortunate. — © Ben Kingsley
I've never had to turn my hand to anything for monetary gain, other than pretending to be somebody else. I'm deeply fortunate.
Failure meant a stripping away of the inessential. I stopped pretending to myself that I was anything other than what I was, and began to direct all my energy to finishing the only work that mattered to me. Had I really succeeded at anything else, I might never have found the determination to succeed in the one area where I truly belonged. I was set free, because my greatest fear had been realized, and I was still alive, and I still had a daughter whom I adored, and I had an old typewriter, and a big idea. And so rock bottom became a solid foundation on which I rebuilt my life.
I never have felt that people should feel that they are better than others, simply because they just happen to possess a larger share of material items and monetary wealth than others less fortunate. I believe in sharing, assisting, and just lending a helping hand to people.
Hold a baseball in your hand ... Feel the ball, turn it over in your hand; hold it across the seam or the other way, with the seam just to the side of your middle finger. Speculation stirs. You want to get outdoors and throw this spare and sensual object to somebody or, at the very least, watch somebody else throw it. The game has begun.
There's nothing worse than the frustration of having somebody who you feel doesn't get what you're doing, trying to turn it into something else. It's a very, very annoying and sort of frustrating thing and I just never wanted to go through it. I was very fortunate as I came up through the film business that I was able to insulate myself from that.
Putting somebody else's pants on and pretending to be somebody else is occasionally, as you grow older, horrifying.
Anybody pretending to be anything other than who you really are-you will never, ever reach your personal potential.
Baltimore was never intended to be anything other than this original novel that Chris Golden and I did together. There was never any thought of this thing going on and becoming a series. If there's any common thing between these characters, it's that they weren't anything I was seeing in comics. Almost everything I've done is something I wish somebody else was doing, because it's what I'd like to read.
If you have technological progress, that will encourage more capitalist system. On the other hand, if you don't, if things are stalled, you end up with much more of a zero sum type thing, where there's no progress and basically everybody's gain is somebody else's loss.
If you re not speaking your own truth, you will never be able to be all you are meant to be. You cannot be pretending to be somebody else.
Because of that she had never had enough energy to be herself, a person who, like everyone else in the world, needed other people in order to be happy. But other people were so difficult. They reacted in unpredictable ways, they surrounded themselves with defensive walls, they behaved just as she did, pretending they didn't care about anything. When someone more open to life appeared, they either rejected them outright or made them suffer, consigning them to being inferior, ingenuous.
He was not my boyfriend. On the other hand, he wasn't just a friend either. Instead, our relationship was elastic, stretching between those two extremes depending on who else was around, how much either of us had to drink, and other varying factors. This was exactly what I wanted, as commitments had never really been my thing. And it wasn't like it was hard, either. The only trick was never giving more than you were willing to lose.
I think when you're in the middle of a piece of work, there are things that bleed over into your life. You're spending a large portion of your day pretending to be somebody else, to tell somebody else's story.
My bench never heard me mention winning. My whole emphasis was for each one of my players to try to learn to execute the fundamentals to the best of their ability. Not to try to be better than somebody else, but to learn from others, and never cease trying to be the best they could be; that's what I emphasized more than anything else.
You're all Buddhas, pretending not to be. You're all the Christ, pretending not to be. You're all Atman, pretending not to be. You're all love, pretending not to be. You're all one, pretending not to be. You're all Gurus, pretending not to be. You're all God, pretending not to be. When you're ready to stop pretending, then you're ready to just be the real you. That's your home.
I used to go and do some sitting in with Robert Nighthawk when he were playing at the 708 Club in Chicago. He was a tremendous slideman. I never saw him do anything other than play the slide. I never just saw him just use his hand. He always used a slide. He had a little-bitty drummer we called "Shorty". He was about that high [hand gesture]. And he was his drummer. That's all he had was a slide guitar and a drummer.
Some people never learn how to talk to kids. They turn up the volume and enunciate with extra care, as if talking to a partially deaf immigrant. They sound as if they're reading lines somebody else wrote for them, or as if what they're saying is really for the benefit of other adults listening and not just for the child. Kids sense that and turn off.
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