A Quote by Ben Kingsley
Hopefully, as I get older in the business, I make my choices more accurately, and I perhaps know from either the script or the first meeting that it isn't going to work.
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I'm the only one responsible for the choices I make and the opportunities I get. When you read the script, you don't know how it's going to shape up. You just know what you've been narrated.
When you first read a script is the purest moment. That's when you can understand how an audience will ultimately receive it. The first reading of the script is so important because you're experiencing it all for the first time, and it's then that you really know if it's going to work or not.
Usually, you get a script and you have the whole story. All the acts are there, for a play. You know what happens in the first, second and third acts, and you know how it starts, where you go and where it finishes. [With American Horror Story: Asylum], it's a whole new experience. I don't know where it's going, and I don't know what's going to happen next. It's been an interesting way to work. It's made me work in a much more fluid, braver way, just taking every chance that comes along.
I think, as I've gotten older, I've been able to be more reckless with my choices, because practically speaking, you get less careful. Your choices become more instinctive, and you feel like if you make a mistake, it won't destroy you.
In the film business, when you're young, you just want to work. But when you're older, it has more to do with who's involved with the project - who you're going to get in the boat with.
Opening a business is going to be hard work, no matter what choices you make. If you decide to fall on your sword and just slog through all the work as an operator instead of an owner, then you take responsibility for the entire operation and the actions of the business.
As an actor you make choices that are either right or wrong, and you find the ones that are right for you. As an understudy, the choices have been made, so you have to make those choices right. Going into the role, you can't really question it.
Hopefully as you get older you get more selfless. That would be probably a good goal. I don't know if we do, though.
To tell you the truth, the older I get, the less I know. I keep meeting people, both older and younger, who seem to have accrued so much more knowledge or expertise or certainty about who they are and the jobs they do. I just marvel at it.
To be an Olympian - not many people can say that. But first of all, I've got to make the team, and I know a lot of hard work is going to go into it, so hopefully it pays off.
People seem to think that my movies are so carefully coordinated and arranged - and in a lot of ways, they are - but every single time I make a movie, I feel that every director makes these choices. You make choices about your script, you make choices about your actors, and how you're going to stage it, and how you're going to shoot it, and what the costumes are going to be like, and in every single detail, you make that decision. And for me, what ends up happening is, I wind up surprised at the combination of all these ingredients. It never is anything like what I expected.
A spine to my films that's become more evident to me is that many are about the choices people make, and the reverberations of those choices. You go this way, or that way, and either way, there's going to be consequences.
Washington faces many challenges these days, and today's United States Senate needs more trusted conservatives going there to make decisions and choices that put the people first and not the business-as-usual crowd.
I'm very comfortable in my own skin now. I started just being myself more and more. For women, this happens as you get older. I loved my 40s - I thought they were fantastic. And I'm loving my 50s. I'm going to love everything because you're either older or dead!
When you're younger you have a lot of ideas and you're probably more insecure, all those things. I work with young actors now and I see their insecurities and I make fun of them. I don't make fun of them but I make them laugh, because I know what they're going through. When you get older you think 'It's only a movie after all, it's not brain surgery.'
I've always been drawn to and fascinated by physical and psychological change.
If I'm able to make pictures of children that are so real, as you follow the children over the years in any given book, and in subsequent books they get older and older and grow up, perhaps there might be something cautionary in that visual example.
Every child is going to grow up. You can see it happen in the books: They get older and older and belong to themselves to a greater and greater extent.
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