A Quote by Ben Kingsley
The trick is to try and justify every word on the page and make sure my character is the man who would say that.
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We come finally, however, to the relation of the ideal theory to real world, or "real" probability. If he is consistent a man of the mathematical school washes his hands of applications. To someone who wants them he would say that the ideal system runs parallel to the usual theory: "If this is what you want, try it: it is not my business to justify application of the system; that can only be done by philosophizing; I am a mathematician". In practice he is apt to say: "try this; if it works that will justify it".
When you're working on a script, every word that's on the page, somebody has to read it. Make every word count in your stories.
Love is easy! Kindness is easy. So I try on my Twitter page to acknowledge everyone that reaches out to me. I try to make my page - I can't control the rest of Twitter - but I try to make my page a safe place for people.
Nietzsche says that as soon as he had read a single page of Schopenhauer, he knew he would read every page of him and pay heed to every word, even to the errors he might find. Every intellectual aspirant will be able to name men whom he has read in this way.
You can make an interesting character in a small portion of a movie, for a character that doesn't have that much on the page, if you just find the contradictions. That's something that I try to bring to my performances.
I would say I'm not like the loudest guy, but I lead by example, and I just make sure all my teammates are on the same page and that they know that everybody has a job to do.
Reading aloud sounds like a good idea, but honestly, it doesn't work very well. Good dialogue in a book doesn't actually bear much resemblance to real-life dialogue. For example, if you've ever seen a word-for-word transcript of people talking, it doesn't read off the page very well. The trick is to make it *seem* like it's being spoken, not to make it speakable.
I let the comedy come through the character and just try to make sure that everything is kind of rounded in a truth, in a reality, because that's what I need to make a character work.
Every page was once a blank page, just as every word that appears on it now was not always there, but instead reflects the final result of countless large and small deliberations. All the elements of good writing depend on the writer's skill in choosing one word instead of another. And what grabs and keeps our interest has everything to do with those choices.
My Grandmother would say, 'Make sure you look good. Make sure you speak well. Make sure you remain that Southern gentleman that I've taught you to be.'
You try to become the character that you're working with. So for me, I try to block out the cameras and try to trick my mind that this is actually happening.
If there is one word that describes the meaning of character, it is the word honor. Without honor, civilization would not long exist. Without honor, there could be no dependable contracts, no lasting marriages, no trust or happiness. What does the word honor mean to you? To me, honor is summarized in this expression by the poet Tennyson, "Man's word [of honor] is God in man."
Strength, strength is what the Upanishads speak to me from every page. This is the one great thing to remember, it has been the one great lesson I have been taught in my life; strength, it says, strength, O man, be not weak. Are there no human weaknesses? - says man. There are, say the Upanishads, but will more weakness heal them, would you try to wash dirt with dirt? Will sin cure sin, weakness cure weakness? Strength, O man, strength, say the Upanishads, stand up and be strong.
For years I feared the opening of every elevator, half-convinced that from the opened doors would come a bullet, for me, shot by a man in a tan trenchcoat. I have no idea why I feared this, expected it to happen. I even knew how I would react to this bullet coming from the elevator door, what word I would say. That word was: Finally.
I'm not sure that the benefit - as a writer and as a citizen - that I would get from reading at least the front page of the Times every day or every other day would outweigh the depression.
I think the idea is to try and understand everything about the characters and where the character is coming from, from their point of view, why they say what they do. And not, 'Oh, but I would never say that. Why does the character say that?' But then making it as personal as possible.
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