A Quote by Ben Kingsley
Working in film, if you work with great directors, you learn that after every take you must let go. Sitting with my wife at the Academy Awards, we both let the moment just go.
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I don't have any problem working with first-time directors because all directors have to start somewhere and all great directors have had a first film. So, if you take the view that you don't want to work with a first-timer, you might miss out on a fantastic opportunity.
I didn't go to film school. My Grampa always says just watch a lot of movies. He didn't go to film school; he went to theatre school. It's interesting to learn about the technical side of it, but I think it's more important to learn about writing and working with actors.
You work with great directors and terrible directors, and so you learn; you take what you think will work for you.
In terms of directors, great actors make directors - Gary Oldman was great to work with, for me; Tim Roth, too. You work with Scorsese and Spielberg and they were wonderful directors, but for me, working with actor/directors is special.
There's a big difference between the National Book Awards and the Academy Awards. At the Academy Awards you can feel the greed and envy and ego. Whereas the National Book Awards are in New York.
But, I think it's great to be able to work with established directors, and then also first-timers. I feel like you learn from both of them, but then you can go and share your knowledge with each of them. That's really fantastic!
I’m in for work at 6.30am and one of the last to leave. I don’t want to go home. We have beds at the training ground and I go home sometimes and say to my wife: 'Do you know something, I didn’t want to leave work today!' It’s not a slight on my wife. It’s just a great position to be in when you love your job so much.
Great directors turn in mediocre work, and first-time directors turn in exceptional work. No matter how good a person can talk about what he wants, you never know. You just have to go with a good story and a script that you like and people that you like to work with.
'Room' is a very subtly-made film, and directing awards tend to go to the flashier stuff, but it's the Director's section of the academy that make the decision, so I'm very proud they can see something in what I directed and wanted to reward it.
Searching out directors you respect and that you can learn from that's always the dream. That's the goal. That's hopefully where this whole thing is leading, and what better way to learn about directing and learn about what works and what I like and what resonates me than by working with a bunch of great directors.
I don't go to Mass every day. But I go to church every day. Just sitting there, thinking - it's a great way to start the morning, you know? You feel so good coming out, and your approach to everything is suddenly really clear.
The truth is that we are saved by grace only after all we ourselves can do. (See 2 Ne. 25:23.) There will be no government dole which can get us through the pearly gates. Nor will anybody go into the celestial kingdom who wants to go there on the works of someone else. Every man must go through on his own merits. We might just as well learn this here and now.
I go to the Himalayas after every film. I go alone. I go to the interiors, to the villages. Being there itself is like meditation.
If you want a film and they don't want you, sometimes you have to go fight for it. Sometimes that ends up just being a meeting really, just sitting down with them and just saying here is my vision for it and here is why I really love it. But for the most part, I think filmmakers gravitate towards people that are excited - as excited as they are about the film and as passionate about it. So sometimes going after it isn't so much a function of auditioning as it is just sitting down with the filmmaker.
When you work in film, you learn to appreciate a distributor. You can have this great little film, but if you don't have a distributor, you are sitting in your living room with a great little film.
I certainly never pictured myself even attending the Academy Awards, much less winning at 56. I very, very happily settled into a theater career. I did more than that, but I let all of my agents and people go. I said, 'I don't want to be promoted in film anymore. I have enough to do in the theater, so I'm just going to carry on.'
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