A Quote by Ben Kingsley
I don't want to be like the actor who rehearses everything in the bathroom, then comes to the set and carries on completely uninterrupted while the other actors tiptoe away.
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I don't want to be like the actor who rehearses everything in the bathroom, then comes to the set and carries on completely uninterrupted while the other actors tiptoe away. I'm so dependent on reacting to the other actors on the set, and to the director. I'm very responsive. I react. And I treasure the energy that reaction gives. I feed off that and work off that. I don't like to be too prepared, no. However we define too prepared, if I feel it's getting that way, then I'll back off. My line-learning is very special. I like to learn the dialogue of the whole film before I arrive.
I've learned a lot about what kind of actor I want or do not want to be while being on set. I sit back and observe how other actors treat the totem pole of set politics.
My story about becoming an actor is a completely non-romantic one. I became an actor because my parents were actors, and it seemed like a very... I knew I was going to act all my life, but I didn't know that I was going to be a professional actor. I thought I was just going to work as an actor every now and then.
I would like to be able to be both a film actor and a stage actor - to be an American actor in the style of a lot the English actors who do films. They are these wonderful actors who can do everything.
Business is very personal. For me, everything is extremely personal. With actors, the fact that I write helps, because when you say to an actor "Oh I want you to do it a little bit more ...," without saying what you want more of, then the actor doesn't know what to do. But if you can put into words exactly what you want, then the experience of writing is helpful with that.
I'm a freak, everything has to be totally flat when I play. Ed Will, my jazz teacher, set up everything completely flat, and then you'd tilt your snare drum away from you, so I do that too. So my snare tilts away from me.
Most actors will tell you that it takes a while to figure out what you want to be because we just want to do everything we see on TV and don't know that 'actor' is a job yet.
Sometimes you can just have a dialogue with an actor beforehand and shape the performance then, but other actors need more guidance on the set.
While you can be trained and groomed to be a better actor, seasoning happens only to TV actors. TV actors shoot every day, and that makes a difference to the project. They are hard-working, but that's not taking anything away from the film actors.
The beauty of the unexpected and unknown, and it's certainly very tantalizing for me as an actor. Other actors can't deal with that; they want to know, but then they make choices and decisions with that knowledge because that knowledge gives them forethought, and they can think about how they want to play something that takes away spontaneity of what they could be doing.
I want to play everything. I want to be like Christian Bale: I want to be able to be Batman and then, like, his character in 'The Fighter.' That is what is so impressive about really good actors, that they can be character actors and leading men at the same time.
To be an actor and a director, I actually felt it helped me tremendously to be in the scenes of The Hollars, because as you can see, they're very intimate, very intense scenes. You don't want to break the actor's character and you don't want to break their momentum, so as the actor, I tried not to call cut as much as I could, and almost make it feel like a play, just set this environment where these amazing actors could do what they wanted to do.
Great actors help. Every project is different. Sometimes it's completely open, and I've been able to cast who I've wanted. And then sometimes people want a certain kind of actor.
When you're a lead role, I'm learning that you set a tone for the movie in a way, like a director does, or like other actors do. But it seems like you set a mood on set.
I like getting carried away by what is happening and then decide each scene based on the actors, the set and the light.
When you're an actor on set, people treat you like a giant baby. They don't let you do anything. Like, "Do you need any food? Do you need the bathroom?"
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