A Quote by Ben Lerner
I've been building a fiction in part around the Marfa poem since my brief residency there, which has kept it from receding into the past.
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Democracy takes work. That's the thing we're really finding out, that, you know, in many ways, you know, the past two decades we've taken for granted all of the extraordinary achievements of the post-war generation. You know, building this global alliance structure that has kept the peace across the North Atlantic since World War II. Building all of these institutions, building all this remarkable technology. And people have privatized. You know, you can now, you don't have to go outdoors much, the whole world comes to you.
I'd been writing fiction for 50 years, since I was 19. And when you write fiction, it becomes a way of thinking: there's always a novel around. The strange thing was that after 'Remember Me,' there wasn't.
My mother photographed Donald Judd in Marfa, Texas, right before he passed away. He was actually the first artist whose work I collected. I just loved the photographs that my mom had done of Donald Judd and the installations in Marfa.
Around the time of the Terran Caesar Augustus, a Martian artist had been composing a work of art. It could have been called a poem, a musical opus, or a philosophical treatise; it was a series of emotions arranged in tragic, logical necessity. Since it could be experienced by a human only in the sense in which a man blind from birth might have a sunset explained to him, it does not matter which category it be assigned.
I think that the project of being alive is to be alive. So there will always be twists and turns and steps forward and steps back, but that's just your life. There is no sort of place at which to arrive, and I think that the more one focuses on an end point, the harder it is to get there. It's like the horizon, sort of ever receding, ever receding, ever receding.
I look around the world, I don't see America's influence growing around the world. I see our influence receding, in part because of the failure of Barack Obama to deal with our economic challenges at home; in part because of our withdrawal from our commitment to our military in the way I think it ought to be; in part because of the turmoil with Israel.
I've always been intrigued with the male characters in novels like 'Pride and Prejudice' such as Mr. Darcy, and this poem is part of a series of poems that explore desire and obsessions. The poems have been sitting in a drawer for a few years, so I decided to dust them off and work on them again since I have not written a new poem in more than three years. I'm not sure anything will become of the series, but at least it gives me something to work on in a period where I feel very uncreative.
I entered a poem in a poetry contest around 1987, and the poem won and I received $1,000 for it. That made me realize that maybe what I was writing was worth reading to people. After that, for some reason, I turned to novels and I've written mainly novels ever since.
I have always kept notes and have kept letters from my friends and mother, which is rather depressing, as it takes you to the past.
The truth is that Trout, like Vonnegut and Ray Bradbury and many others, writes parables. These are set in frames which have become called, for no good reason, science fiction. A better generic term would be 'future fairy tales'. And even this is objectionable, since many science fiction stories take place in the present or the past, far and near.
It has always seemed to me that the only painless death must be that which takes the intelligence by violent surprise and from the rear so to speak since if death be anything at all beyond a brief and peculiar emotional state of the bereaved it must be a brief and likewise peculiar state of the subject as well and if aught can be more painful to any intelligence above that of a child or an idiot than a slow and gradual confronting with that which over a long period of bewilderment and dread it has been taught to regard as an irrevocable and unplumbable finality, I do not know it.
A good poem is a contribution to reality. The world is never the same once a good poem has been added to it. A good poem helps to change the shape of the universe, helps to extend everyone's knowledge of himself and the world around him.
It had also been my belief since I started writing fiction that science fiction is never really about the future. When science fiction is old, you can only read it as being pretty much about the moment in which it was written. But it seemed to me that the toolkit that science fiction had given me when I started working had become the toolkit of a kind of literary naturalism that could be applied to an inherently incredible present.
We should feel an urgency about our environment and what's been done to it by human action and inaction. I wouldn't say there's a resurgence - I think it's been with us all along, and especially since the 1960s and 1970s, but it is true that there's almost a subsection of the bookstore devoted to it now. Personally, I've been addressing these issues in my long and short fiction since the late 1980s - basically since the beginning of my career.
When I began to write fiction that I knew would be published as science fiction, [and] part of what I brought to it was the critical knowledge that science fiction was always about the period in which it was written.
Without a doubt, one of the things which keeps us from attaining perfection is our tongue. When one has reached the point of no longer committing faults in speech, he has surely reached perfection, as was said by the Holy Spirit. The worst defect in talking is talking too much. Hence, in speech be brief and virtuous, brief and gentle, brief and simple, brief and charitable, brief and amiable.
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