A Quote by Ben Lerner

I’ll work my way from irony to sincerity in the sinking city, a would-be Whitman of the vulnerable grid. — © Ben Lerner
I’ll work my way from irony to sincerity in the sinking city, a would-be Whitman of the vulnerable grid.
I feel that there's hardly any irony in my work; if there's anything, there'll be sincerity, which people sometimes find hard to deal with.
I don't mock things, which makes me more vulnerable to mockery myself. If you're cynical, you're protected from mockery. But I have to be nice. I don't think I have irony. A sense of humour, yes, but not irony.
The Grid makes the history of architecture and all previous lessons of urbanism irrelevant. It forces Manhattan's builders to develop a new system of formal values, to invent strategies for the distinction of one block from another. The Grid's two-dimensional discipline also creates undreamt-of freedom for three-dimensional anarchy. The Grid defines a new balance between control and de-control in which the city can be at the same time ordered and fluid, a metropolis of rigid chaos.
Don't be governed by the grid, govern the grid. A grid is like a lion cage - if the trainer stays too long it gets eaten up. You have to know when to leave the cage - you have to know when to leave the grid.
Everything about the swing is about some guideline and some grid and the elegant way that you negotiate your way through that grid.
Energy consumption has to be managed by an intelligent grid when it comes to highly populated areas. Smart-grid technologies allow for the integration of renewable energy into the grid as well as energy from distributed sources.
Only dull and impotent artists screen their work with sincerity. In art there is need for truth, not sincerity.
Along with the good qualities, if someone isn't vulnerable I can't be around them to a certain extent. And I don't mean vulnerable to me or vulnerable to me in a sexual way. I just mean vulnerable, period.
I could write a joke song really easily, but I think something that might be true for my generation is that there's a certain irony or detachedness expected of us, even though we really feel sincere. So the only way to sincerity is through a joke.
Sincerity is the end and beginning of things; without sincerity there would be nothing.
I suppose my best attribute, if you want to call it that, is sincerity. I can sell sincerity because that's the way I am.
Sometimes I would want to sink, and then while I was sinking I'd go, "Wait a minute, this isn't what I want to do," and I would calm down while I was sinking and then start rising back to the surface again.
I should say sincerity, a deep, great, genuine sincerity, is the first characteristic of all men in any way heroic.
Swing is extreme coordination. It's a maintaining balance, equilibrium. It's about executing very difficult rhythms with a panache and a feeling in the context of very strict time. So, everything about the swing is about some guideline and some grid and the elegant way that you negotiate your way through that grid.
Whether it's Shakespeare or Moliere, irony is a key component in the construction of theatre. A script would be pretty bad if it was devoid of irony.
Tokyo would probably be the foreign city if I had to eat one city's food for the rest of my life, every day. It would have to be Tokyo, and I think the majority of chefs you ask that question would answer the same way.
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