A Quote by Ben Lerner

In art and life we're always reading bodies and behaviors (and skies and skylines or whatever), constructing brief and shifting coherences, and I guess I want to capture that process of characterization and re-characterization instead of offering up a few stable, easily-summarized individuals.
Hard science fiction, which is what I write, often is rightly criticized for having either negligible or unbelievable characterization, but the science I've actually studied most post-secondarily is psychology, and characterization is the art of dramatizing psychological principles.
Characterization is not divorced from plot, not a coat of paint you slap on after the structure of events is already built. Rather characterization is inseparable from plot.
Acting is characterization, the process of two entities merging-the actor and the role.
Readers can read what they want and easily switch to other books, so we're seeing a lot of reading behaviors. Some verticals attract different usage than others. We can spot reading patterns.
I've never bought into any sort of hard and fast, this-box/that-box characterization. People are individuals. Yes, they may be expected to be a particular way. But that doesn't mean they're going to be that way.
Characterization requires a constant back-and-forth between the exterior events of the story and the inner life of the character.
An attempt to write nothing but characterization will soon bog down; I for one don't want to have somebody tell me about someone else.
My feeling for reality TV isn't ironic, guilty, or apologetic. Reality TV is one of the few remaining modes of popular entertainment in which characterization is permitted as plot.
Great novels have great characterization no matter what. But multiple points of view let me examine characters from entirely different perspectives, allowing me to learn more about everyone in the process.
Characterization is integral to the theatrical experience.
Characterization is an accident that flows out of action and dialogue.
I will never forget the pleasure and instruction I derived from working with a true master of his art, such as Edward G. Robinson was - and is. Surely his record for versatility, studied characterization - ranging from modern colloquial to the classics - and artistic integrity is unsurpassed.
I think my wife would take objection to any characterization of me as perfect.
The safest general characterization of the European philosophical tradition is that it consists of a series of footnotes to Plato.
I think that there was a lot of fantasy projected onto me, and that resulted in a reappropriation and re-characterization of who I am.
Characterization requires self-knowledge, insight into human nature . . . it is more than impersonation.
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