A Quote by Ben Lerner
When I was a kid and we played baseball we used to use that "eye black" stuff sometimes - that kind of grease you put under your eyes to reduce glare or something. We only used it, of course, to look cool; it's not like we were any better prepubescent athletes for reducing glare.
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The vampire's eyes were open, and he was staring at her intently. It was as though he were trying to speak to her with simply the power of a glare. Alexia did not speak glare-ish.
Ever since I was a kid, I've been into clothes, but not really labels- that's kind of only been in the last year or so. It's something I've always cared about. I used to just constantly thrift and make stuff and cut stuff up and borrow my dad's stuff and borrow my little brother's stuff and all that jazz. ... It's just, if something is cool, then it's cool.
Remember that vision on the Mount of Transfiguration; and let it be ours, even in the glare of earthly joys and brightnesses, to lift up our eyes, like those wondering three, and see no man any more, save Jesus only.
Karl Malone used a lot of veteran stuff that I thought was cool. Charles Barkley taught me a lot when I played against him. How he would use his body or use his dribble to get people in there and all that stuff. Veteran moves.
I remember I used to think my dad was really cool working at a factory. He used to make buttons. I used to brag, 'This button here, My dad made it.' There was this sense of pride. It's knowing your dad is doing something cool.
Having a home away from the media glare is important to world-class athletes.
We in the Negro leagues felt like we were contributing something to baseball, too, when we were playing. We played with a round ball, and we played with a round bat. And we wore baseball uniforms, and we thought that we were making a contribution to baseball. We loved the game, and we liked to play it.
The art of politics is learning to walk with your back to the wall, your elbows high, and a smile on your face. It's a survival game played under the glare of lights.
Hollywood always chooses young and beautiful men and throws them into enormous, highly expensive toy-like movies, and I think sometimes it's hard for the maturity of the craft to emerge in that kind of glare.
I was the first artist, I think, to ever do an all-keyboard album. There were things that resembled it, like Stevie Wonder. A lot of his stuff was on keyboards, but he used brass and he used other things as well. I was the first artist, also, to use drum machines. I was really the one who kind of started that whole thing.
Everybody used to say that baseball players can't dress and athletes can't dress. You know, a lot of athletes now are trying to prove everybody wrong, though there are some athletes that try too hard and try to do over-the-top things. But me, I try to be simple and just make whatever I'm wearing look good.
We used to have an all-Black baseball team, all Black stars and when White folks took Jackie Robinson and brought him into the major league that was the beginning of the crushing of Black baseball teams and leagues.
How?" I had seen it with my own eyes, but I still didn't believe it. Then something struck me. "Take off your shirt!" "I'm not that kind of guy!" He frowned thoughtfully. "On second thought, why not?" I blushed angrily and looked at Raquel. "What is he? I don't see anything!" "He's not 'anything'.Just a talented boy." "Then how did he make a door? How did he get through the Paths?" "Wait,so am I allowed to put my shirt back on? Or did you want me to remove my pants,too?" Lend and I joined forces in a dark glare. "Only if you want me to vomit," I snapped.
Heaven is not like flying or swimming, but has something to do with blackness and a strong glare.
They used to call me Firefly when I was a little girl, and I always tried to figure out why I was being called a firefly. I was really black, black, black from the sun. After being in Jamaica for 13 years, my eyes were really beady and white, and my skin was really black. I must have really looked like a fly. My eyes looked like lights, like stars.
We used hand-held cameras 50 years ago. It wasn't something new. Sometimes we used a tripod, or we'd have a tracking shot, and sometimes - like when a character was being chased - we used a hand-held camera because it was right for the scene. In those cases, it helped the mood; it created immediacy and a feeling for the viewer that they were in the scene and in the moment.
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