A Quote by Ben Lerner
Many of the left thinkers that really matter to me - that formed a big part of my thinking about politics and art - emphasize how capitalism is a totality, how there's no escape from it, no outside.
Related Quotes
To me, it doesn't really matter how big the part is as long as the part is important to the story.
I've been thinking a lot lately about taking chances, and how it's really just about overcoming your fears. Because the truth is, everytime you take a big risk in your life, no matter how it ends up, you're always glad you took it.
One of the problems with traditional anti-capitalist thought is that it defines capitalism as a totality, which encourages us to imagine another totality, socialism, which we can try to replace it with. This totalizing perspective has colonized the imagination of anti-capitalism and left us waiting for a revolution we can never have.
I start thinking:
How many souls hip-hop has affected?
How many dead folks this art resurrected?
How many nations this culture connected?
Who am I to judge one's perspective?
I think what's happened in art criticism, or art thinking, in last 30 or 40 years is a confusion between the "what" - the subject - and the "how." Most attention goes to the "what," but it's the "how" that's the important part - how something is brought into being.
No matter how much you've won, no matter how many games, no matter how many championships, no matter how many Super Bowls, you're not winning now, so you stink.
No matter how big a name you are, how many big series you've been in or how good looking you are, in the end, all actors are secondary to the writer.
No matter how many people try, no matter how many fancy songwriters in Los Angeles try to break it down to a formula... to an extent, there isn't a science to writing great songs, I suppose. For me, it's always about melody - it doesn't matter what genre of music you're writing, if there's a strong melodic thing somewhere, whether that's in a vocal or in a guitar part or a sample. Something that sticks in your brain, that seems to be something that works.
I believe that having something new happen, no matter how small, is what makes for a healthy day, no matter how many days may be left.
It was right then that I started thinking about Thomas Jefferson on the Declaration of Independence and the part about our right to life, liberty, and the pursuit of happiness. And I remember thinking how did he know to put the pursuit part in there? That maybe happiness is something that we can only pursue and maybe we can actually never have it. No matter what. How did he know that?
My uncle, who's an art teacher, took me under his wing and gave me a really strong foundation in art. I spent summers with him, and he taught me how to draw, how to see, how to mix colors, how to use different mediums and perspective, and so forth.
Skateboarding, like graffiti, will never be tamed. No matter how much they monetize it, no matter how big it gets, no matter how many companies are putting millions and millions of dollars into marketing it, it's always going to be some Mexican kid on a corner in Echo Park that changes the rules of the game.
Politics, in general, when you're trying to change the world for the better in any kind of way, no matter how small or how big, it's inches.
Each discipline has the capacity to be interested in politics, and each would ask different questions of what politics is, what constitutes power, how power is maintained, how it circulates, how relationships are formed, how institutions are built, how they fall. Every discipline would answer those questions in different ways.
I mean, part of the justification for art is art history, the fact that you're part of this tradition. You can't really operate outside of it. So looking for what this work is really about, if I look at Velázquez, if I look at Las Meninas or The Tapestry Weavers [1657] or something and really study it and try to figure out what that painting is really about, then I find relationships between what I'm trying to do and what he was doing.
No matter how tough, no matter what kind of outside pressure, no matter how many bad breaks along the way, I must keep my sights on the final goal, to win, win, win-and with more love and passion than the world has ever witnessed in any performance.
Related Authors
Charles Bukowski Quotes
American
Novelist
Charles Dickens Quotes
English
Novelist
Chuck Palahniuk Quotes
American
Novelist
Ernest Hemingway Quotes
American
Novelist
George Eliot Quotes
British
Novelist
George Orwell Quotes
British
Novelist
George R. R. Martin Quotes
American
Novelist
Jane Austen Quotes
British
Novelist
Johann Wolfgang von Goethe Quotes
German
Novelist
Margaret Atwood Quotes
Canadian
Novelist
Nicholas Sparks Quotes
American
Novelist
Paulo Coelho Quotes
Brazilian
Novelist
Sarah Dessen Quotes
American
Novelist
Stephenie Meyer Quotes
American
Novelist
Veronica Roth Quotes
American
Novelist
Victor Hugo Quotes
French
Novelist