A Quote by Ben Lovett

I can talk openly about my support for the artists on Communion because I'm not promoting myself. — © Ben Lovett
I can talk openly about my support for the artists on Communion because I'm not promoting myself.
When the magazines talk about artists they talk about the Paul McCartneys, the Paul Simons, they never talk about me. So their readers and contemporary artists are never going to check me out because they're not reading about me.
Frightening for many artists is promoting themselves. They feel it is... artificial and not what we want to be known for. Yet if we start thinking about what we do as important and important to offer to people, not to sell... it allows us to shift the way we think about promoting ourselves.
Before I think we was emcees, we was more or less narrators too. Because if you look at the early '80s hip hop, it was so much creativity goin' on with artists like then, like Slick Rick, then you had Rakim, and you had these different kind of artists back then. And we was a marble cake of all these artists. So I didn't have a problem with writin' stories because I felt like that was somethin' I loved to do. Even to this day, I really consider myself an entertainer-slash-narrator. I like to talk about stuff that goes on.
People had an idea of what R&B artists or pop artists usually say, which was like, 'Talk about sex, talk about partying, and be positive; don't be too much of a downer.'
When we talk about contemporary art and contemporary artists, we usually imagine artists who are alive. But I feel very uncomfortable about placing a border between living artists and dead artists.
I collaborate with Tidal because they're for the artists - the up and coming artists and the O.G.s in the game. It's like a home, the only place we have for the artists to find support.
For patients to be safe, we need doctors to be able to reflect completely openly and freely about what they have done, to learn from mistakes, to spread best practice around the system, to talk openly with their colleagues.
It is so difficult to mix with artists! You must choose business men to talk to, because artists only talk of money.
If I don't get a TV show next year because someone looks up my Wikipedia and it says 'openly gay,' then it's worth the risk because I've had so many years being openly gay and proud of myself as a role model.
On the contrary, it's because somebody knows something about it that we can't talk about physics . It's the things that nobody knows anything about that we can discuss. We can talk about the weather; we can talk about social problems; we can talk about psychology; we can talk about international finance gold transfers we can't talk about, because those are understood so it's the subject that nobody knows anything about that we can all talk about!
Because the Christian God is not a lonely God, but rather a communion of three persons, faith leads human beings into the divine communion. One cannot, however, have a self-enclosed communion with the Triune God- a "foursome," as it were-- for the Christian God is not a private deity. Communion with this God is at once also communion with those others who have entrusted themselves in faith to the same God. Hence one and the same act of faith places a person into a new relationship both with God and with all others who stand in communion with God.
Sex is more openly spoken about than 40, 50 years ago, and I think probably in comparison to a lot of bands - certainly other contemporary pop girl bands - we're certainly not as suggestive. We talk about sex in the way that we would to our friends. As a girl group, I think it was important not to avoid those sort of things either, because it's about confronting people's idea of what women should be talking about and how they should talk about it. There's no point in shying away from subjects like that, because they exist.
Governments can help support European music by promoting public awareness that when people take music that doesn't belong to them, they undermine the future of those very artists whose work they enjoy.
Artists don't talk about art. Artists talk about work. If I have anything to say to young writers, it's stop thinking of writing as art. Think of it as work.
The privilege I've had as a curator is not just the discovery of new works... but what I've discovered about myself and what I can offer in the space of an exhibition - to talk about beauty, to talk about power, to talk about ourselves, and to talk and speak to each other.
I intensely dislike the word 'critic,' because it puts you in an antagonistic position to artists. I've learned everything that I know about art from artists... I see myself as an advocate and an activist and a writer.
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