In college, I had a big fixation with Southern Gothic literature. Flannery O'Connor, I read every word she's ever written.
When I was twelve, I started reading Eudora Welty, Thomas Wolfe, Flannery O'Connor, James Agee, and - do we dare breathe the name - William Faulkner.
I like to read biographies of authors that I love, like Richard Yates. I also like to see what non-fiction authors are out there. My bible is Something Happened. It's one of the greatest books I've ever read. But if I don't read a Dostoevsky soon I'm going to kill myself.
I love Truman Capote, Tennessee Williams, Flannery O'Connor. I read a lot of American writers.
I don't want to pretend like I'm some intellectual person who understands Flannery O'Connor.
Flannery O'Connor was a revelation for me. When I read her, I was very young, and I didn't understand what she was doing. I didn't see the - any of the Catholicism or any of the social stuff.
Flannery O'Connor was a revelation for me. When I read her, I was very young, and I didn't understand what she was doing. I didn't see any of the Catholicism or any of the social stuff.
I learned to be a regional writer by reading people like Flannery O'Connor. She was a huge influence.
I never got too specialized but did like the Southern Gothic writers like William Faulkner and Flannery O'Connor.
I like Philip Roth, John Updike, and Richard Yates.
The phrase the violent bear it away fascinated the 20th century Irish-American storyteller Flannery O'Connor, who used it as the title of one of her novels. O'Connor's surname connects her to an Irish royal family descended from Conchobor (pronounced Connor), the prehistoric king of Ulster who was foster father to Cuchulainn and husband of the unwilling Derdriu. In the western world, the antiquity of Irish lineages is exceeded only by that of the Jews.
My publisher had mailed [Bret Easton Ellis] Richard Yates. And when I talked to him he said he had read all my prose books. And he said something like, "You got a lot of mileage out of Dakota Fanning."
Certainly, my exposure in high school to writers like Flannery O'Connor, Shusaku Endo, Fyodor Dostoevsky and Graham Greene was formative.
'Orthodoxy' is the seminal book of ideas in my life. That book I've read more than any other book. It's the spinal column that leads up to my brain and informs the way I think. Flannery O'Connor is my favorite American writer.
No one writes dialect better than Flannery O'Connor. No one should even try.
I'm an enormous fan of Thomas Bernhard's books, and I like the relentless feeling in his work - the pursuit of darkness, the negative - and I think in some sense I've internalised that as what one is supposed to do.