A Quote by Ben Marcus

Family seems so rich and complicated to me. There's meant to be this unfailing biological loyalty and yet at the same time it's this theatre for various kinds of cruelty. I know it doesn't always work out that way, but the worst possible behaviour is sort of allowed for. It looks to me like an endlessly rich container for really terrible drama, but also pretty grand love. It accommodates such a variety of feeling in such a natural way, and it feels so relatable, and yet it's such a funny construct, socially, the family.
I think that everyone is saying all kinds of things about 'rich.' Not only am I rich from doing some of things I've been able to do, but I'm rich in spirit. I'm rich in health. I'm rich in every way possible.
And, conversely, she went on to herself, sneering at the Grand Duke's palace, poverty is wasted on the poor, who never know how to make the best of things, are only the rich without money, are just as useless at looking after themselves, can't handle their cash just like the rich can't, always squandering it on bright, pretty, useless things in just the same way.
My family is big, complicated, and beautiful - and keeps me smiling and whole. It's so important to have family, whether it's biological family, good friends, foster families, or a group of aunties who are raising you. The idea of feeling isolated is scary to me - to walk through the world alone would be heartbreaking.
Love and this close-knit family structure really helped to give me the confidence. To know that you have family to go back to is a help. It doesn't always happen biologically. Sometimes God gives you family in other forms, but I was very blessed. I have a very strong biological family.
In our minds, rich is always the other person, the other family. Rich is having more than you currently have. If that is the case, you can be rich and not feel it. You can be rich and not know it.
What is always overlooked is that although the poor want to be rich, it does not follow that they either like the rich or that they in any way want to emulate their characters which, in fact, they despise. Both the poor and the rich have always found precisely the same grounds on which to complain about each other. Each feels the other has no manners, is disloyal, corrupt, insensitive - and has never put in an honest day's work in its life.
I guess I don't really know any other way to do it, it just feels like the natural way to do things for me. Like - if I'm writing a song - it has to have some sort of value. Or it only has some kind of value to me, if it's something really personal. It has to mean something to me. I guess it is a little uncomfortable, or it's a little embarrassing sometimes, to know that stuff that honest is out there. But, when I hand off the thing, when it's totally done and mastered and sent, I kinda feel like it doesn't belong to me anymore.
I'm always drawn toward family drama, and dysfunctional family stories. It speaks to me, in a really profound way, and I think there's so much to explore within it.
I was brought up with a lot of love in my family, and I've always been supported. My family has always protected me in a sort of manic way.
It's always nice to have people love the things that you do. But it's a lot of hard work, and people are always passionate, if it's family fare or a drama, it's the same amount of work and people invest everything into that, and when it doesn't come out the way you want it to, of course it's hurtful.
Playboy in Brazil is like a rich boy, but I've never been a rich boy. My family is not rich. Actually, I help all my family.
Let me give you really bad news, and I'm sure people will demonize me for saying this: the rich are always gonna be with us. They will always be with us. There are rich people in Cuba. There are rich people in Venezuela. You pick the policies, and the rich are gonna figure it out. They're always gonna be rich.
The oligarchic character of the modern English commonwealth does not rest, like many oligarchies, on the cruelty of the rich to the poor. It does not even rest on the kindness of the rich to the poor. It rests on the perennial and unfailing kindness of the poor to the rich.
I would construct and work along various lines until I found them untenable. When one theory was discarded, I developed another at once. I realized very early that this was the only possible way for me to work out all the problems.
The idea of using media for expressing yourself artistically is kind of something I learned from my mother and my father. So for me, I think growing up wanting to be an artist, I always imagined myself sort of crossing over or mixing media and so it was a natural evolution for me to try to express in a filmic way or in a visual way. It just kind of seems like a natural sort of progression for me in terms of what I'm trying to do as an artist.
There wasn't a rich father or rich family that paid for everything that I have right now, so I worked my way.
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