A Quote by Ben Mendelsohn
One of the things that I found very confronting in my early working life was that people thought I was some sensitive doe-eyed lovelorn boy, because they'd seen me do that a couple of times. What tends to happen is you get a run of similar roles.
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There were a couple times when we started working out the stories - and I was doing this with Jim Vallely and our friend Dean Lorey, who was on the show originally - and we were working on a movie. There would be some fan fiction things that would scoop us. It happened a couple times, where I thought, "Well, we can't do that!"
I tend to gravitate toward the more powerful roles. As opposed to the doe-eyed girl who bats her eyelashes and runs around in towels, you now what I mean? Because that kind of makes me want to vomit.
When I would work freelance in production in Chicago, there were a lot of times when I was working for cheap, bad people, and I was working for slave wages anyway, so there were some times when I might have filled out a couple of blank taxi receipts and kept some petty cash. But like I say, I was very selective. It was only people that I thought were assholes. The people that I liked I went far and above saving them money, much less taking it. But that's it. I'm pretty moral. I don't even like stealing jokes.
There's no such thing as advice to the lovelorn. If they took advice, they wouldn't be lovelorn. You see, advice and lovelorn don't go together. Because advice makes love sound like some sort of cognitive activity, but we know that it isn't. We all know that it's some sort of horrible chemical reaction over which we have absolutely no control. And that's why advice doesn't work.
I'm working on a number of different things. I'm working on a couple of TV things and I'm working on a couple of film things too, and they're all very early stages. One of them I'm writing myself, one of them I'm writing with somebody else, and one of them I'm supervising a writer, and they're all sort of coming up at the same time and it'll be interesting to see which one kind of reveals itself first and jumps ahead.
Every time I step in between those lines, I'm in the zone. If you get between me and the ball, you might get smashed a couple times. Things happen, plays happen.
I was really sensitive because people would say they thought I was a boy or call me a boy and stuff like that. I always had my hair back and, like I said, baggy clothes. So it was kind of sad. I didn't know what to do about it, and I didn't know what I was doing wrong because I was just being me.
I'm a very sensitive person at times. Not just to words that anybody says, but in relationships for example, the people that you open up to, you listen to, you hear - you know? So a lot of times, the key to some of my vulnerability is just through things, simple things - or critiques or whatever - or could be very simple things that are said.
My first couple of years in the league left me very unstable. I had some times where I played well, and I had some times were I really did not get the opportunity. After Rick Pitino gave up on me my first year, people were like, 'He can't play.' So I had to get over that hump.
I have actually lost a couple of roles - film roles - because a director or producer thought I looked too much like George Costanza, and I could not get out of that box.
I would love to see Carl Reiner working in the arena today. He did some marvelous things on our show in the early '60s when it was a little edgy. We did shows about blacks, a couple, three of those. Some thought-provoking stuff.
When John Travolta had the opportunity to do The Boy In The Plastic Bubble, he brought me and a couple other people from the movie to just be the students and have some parts, because he wanted to help us out. I thought that was really sweet.
The most exciting acting tends to happen in roles you never thought you could play.
I did find New Zealand similar to Ireland. The people, obviously. I found that, ironically, although these two countries were very far away from each other, their humor was so similar and their outlook on things was quite similar as well.
I realized some of the films I did, after a few hits that I had, they weren't working for me because I wasn't comfortable in the roles I was playing. That's why probably people thought I was a bad actress and I don't blame them.
the long-distance run of an early morning makes me think that every run like this is a life- a little life, I know- but a life as full of misery and happiness and things happening as you can ever get really around yourself
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