A Quote by Ben Mendelsohn

Accents are always difficult in their way, but as long as you're not throwing an audience off with it, then that's all it should be. — © Ben Mendelsohn
Accents are always difficult in their way, but as long as you're not throwing an audience off with it, then that's all it should be.
I do accents. Sometimes when I've had a few drinks, I speak in different accents all night long, and then at the end of an evening someone will say to me, 'Seriously, where are you from?'
If you're throwing someone off a roof, you're throwing them off the roof. It's there. You don't have to do anything extra with that. The audience is obviously going to react to that because it's such a heightened thing to do. But in the other moments, you really look for ways to craft those, because they're more important, honestly.
DJs should not be just pressing play with a USB stick, or getting wasted and throwing cake. I don't think [stunts like throwing cake] have anything to do with connecting with your audience. To me, it has no substantial creative value - it's just a waste of food.
Death seems to be a long way off. Is this not shallow thinking? It is worthless and is only a joke within a dream. It will not do to think in such a way and be negligent. Insofar as death is always at one's door, one should make sufficient effort and act quickly.
After weigh-ins you're doing wheat pasta or you're trying to carb back up. This was actually really throwing me off, causing an inflammatory response in my digestive system, in my brain, in my body. Throwing off my mind.
I never look at twists as a way to trick the audience. Obviously, I think a good story has surprises and unexpected turns, and you always want to do that with an audience. But it has nothing to do with conning them or making them believe so strongly in one thing and then kind of going the other way.
I don't think people should be afraid of portraying people with accents, especially Asian accents.
I feel good about the fact that I finally found something I love. I never lived in one place for very long - that's the way my whole life has been. I was always packing and moving around, staying in Canada, Kentucky, Jersey, St. Louis - it all helped because I was always learning new accents, experiencing different environments.
It's always a little more difficult after taking a few years off, which we did from 2004 through 2008. It's more difficult to get the machine in gear again, but when you become used to it, then it becomes easier.
People are very ready to criticize other people's accents. There's no correlation between accents and intelligence or accents and criminality, but people do make judgments.
I kind of came from the Townes Van Zandt school of throwing yourself off a cliff and then that's what you write about, and that rule number one of creative writing is you have to have conflict. But if you write about yourself mostly, then if you don't have conflict, then you create it. And the older I get, the more I realize that that's not a very smart way to do this. Not to say I'm the most self destructive person on earth, but it's easy to do.
I would start off with a lively rag, then would come a ballad, followed by a comedy song and a novelty number, and finally, the hot song. In this way, I left the stage with the audience laughing their heads off.
I remember quite well that 10,000 audience sang with us three on the spot, and ever since then, I always thought the Chinese audience are the greatest audience.
We do not know whether it is good to live or to die. Therefore, we should not take delight in living, nor should we tremble at the thought of death. We should be equiminded towards death. This is the ideal. It may be long before we reach it, and only a few of us can attain it. Even then, we must keep it constantly in view, and the more difficult it seems of attainment, the greater should be the effort we put forth.
I don't think you should write a book until you tell the absolute truth. You can't do that until you're 85, and I don't want to live that long. I've always prided myself on knowing when to get off, and I hope it works out that way.
As long as I can make that audience one thing, one unit, then I'm okay with it. But, sometimes, the bigger the audience, the weirder it gets.
This site uses cookies to ensure you get the best experience. More info...
Got it!