As an actor who has spent twenty years trying to crack America, the day I reached the 'Bloodline' set and found my name on a chair next to Sissy Spacek's was the happiest of my working life.
I guess the first big name I worked with was Sissy Spacek, and that was really interesting just because she's so incredible and I learned so much from just watching her. But she's also so unassuming that I loved working with her. It wasn't like working with a star, it was Sissy. Not a big deal.
I spent the first twenty years of my running career trying to run as many miles as I could as fast as I could. Then I spent the next twenty years trying to figure out how to run the least amount of miles needed to finish a marathon. And I've come to the conclusion the second way is much more enjoyable.
I'm a huge Sissy Spacek fan.
For me, I never really wanted to be in a 'Sissy Spacek' vehicle. That was not my intention. I got to be the 'Everygirl.'
The happiest years of my mother's life were spent in Washington, D.C. It was where she met my father, where John was born and where I spent my earliest years.
When Daniel Gorenstein was chair, he did mathematics from 5am to 12noon, spending the second half of his working day on administration. When I was chair, I also spent half of my time on research: every other minute.
For creating the Texan accent, I would listen to Sissy Spacek and watch her in 'Badlands.' I downloaded the audio of that whole film and listened to that.
I spent seven years of my life in the immediate aftermath of September 11th doing this work, working with the Patriot Act, working with our law enforcement, working with the surveillance community to make sure that we keep America safe.
It's also hard for me to understand growing up not knowing where I came from. I searched for my parents - I started when I was twenty; I found both my mother and my father when I was twenty-two. Trying to catch up on twenty-two years that we can never get back, trying to reconcile that - that's a hard thing for me.
An actor shouldn't have to leave the set and go home and write a bunch of stuff for a bunch of other people, the next day. I found it very unpleasant.
Some people manage to make that transition from child actor to adult actor seamlessly. But I felt that if I spent my whole life on a film set without taking a few years to do something else, all I would ever know about was film sets.
I spent so many years trying to become an actor, trying to be a person that I wasn't.
My name, I have spent my whole life trying to make that name mean something. And now it's gone.
I love Tom Wilkinson and Tommy Lee Jones as well as Jessica Chastain. But the person I look up to most, not because I identify with her roles but because of who she is as a person, is Sissy Spacek.
Oh my goodness, I hate camping. I am like Frida times 1,000. I have always been attracted to wilderness stories, à la the movie Badlands, when Sissy Spacek and Martin Sheen are in the woods on the lam - maybe because it scares me a little.
The day I came in and found another actor's name on my dressing room door, and my stuff out in the hall, that was the day I learned my lesson.