A Quote by Ben Mendelsohn

One of my earlier films is 'Quigley Down Under.' That was early on in my career, and that was horsey. — © Ben Mendelsohn
One of my earlier films is 'Quigley Down Under.' That was early on in my career, and that was horsey.
From early on in my career, I was always challenged to create things. Early in my career, I created 'ground and pound.' When I fought Royce Grace the second time, I developed that: stay on guard, follow the hips, press the legs down, press the hips down. When he rested, I ground and pounded him.
Earlier in my career, there may have been compulsions for accepting films for money.
I think early in my career, I didn't choose films that were crappy films, necessarily, but I didn't go out and campaign for smaller, better roles.
I am blessed to have worked in big-budget films at an early stage of my career.
You learn from the things that happen in your career. You get up and down. You never give up. All the things that happened in my career, thank God it happened early rather than late in my career.
I was originally a painter, and I made films sort of as an extension of that, and then I started to try to make dramatic films because the early films were experimental films.
As for documentary, it was a natural progression from my earlier career in journalism. The two media are connected, but of course making films is much more complicated, because you have image, sound and music to work with, not simply words.
I like serious films and earlier used to do only such films.
Not only comedy films, I have also done films based on serious issues with Raja Chanda earlier.
I did 'Quigley Down Under,' which is quite deliberately placed in Australia, which is a Tom Selleck, Alan Rickman, Laura San Giacomo film from '88, I want to say.
We have a show very early on called 'Slap Bang' on a Saturday night and it didn't work. It started off peak time and started getting earlier and earlier in the schedule. I think that that taught us you have to adapt.
Failure at the box office of some of my earlier films led to a lack of opportunity to play main lead in good films.
I drew influence from Mike Leigh, Ruben Ostlund, a lot of Scandinavian filmmakers, Lukas Moodysson. I also drew influence from horror films and thrillers, which is something I would never think to do earlier in my career.
Free time keeps me going. It's just something that's always been a part of my life. I was originally a painter, and I made films sort of as an extension of that, and then I started to try to make dramatic films because the early films were experimental films.
The early commitments, early recruiting, that had changed. The whole clock is pushed ahead and you have to make decisions earlier about who to and who not to recruit. Is that a good thing I'm not sure, but it is reality.
I go back to many films that I really love. Some Bresson, some Godard of the early times, the Cassavetes of those years I love. And the early Wim Wenders. But my own films I don't watch, unless I need them.
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