A Quote by Ben Okri

I began my writing life as a poet, so poetry has always been fundamental. I evolved from poetry to journalism to stories to novels. But poetry was always there. — © Ben Okri
I began my writing life as a poet, so poetry has always been fundamental. I evolved from poetry to journalism to stories to novels. But poetry was always there.
I don't think I ever had a morning where I woke up and said I'm going to be a professional poet. I know I've always loved poetry, I've always loved writing poetry and I've always loved sharing poetry. I've also always known that I wanted that to somehow be a very large part of my life and I'm very fortunate that it's such a large part of my life.
I began to write poetry when I was about four years old. In other words, I've always been writing poetry.
Poetry was syllable and rhythm. Poetry was the measurement of breath. Poetry was time make audible. Poetry evoked the present moment; poetry was the antidote to history. Poetry was language free from habit.
A banker warned the British poet Robert Graves that one could not grow rich writing poetry. He replied that if there was no money in poetry, there was certainly no poetry in money, and so it was all even.
There's a sameness about American poetry that I don't think represents the whole people. It represents a poetry of the moment, a poetry of evasion, and I have problems with this. I believe poetry has always been political, long before poets had to deal with the page and white space . . . it's natural.
Poetry should describe itself, and always be simultaneously poetry and the poetry of poetry.
I’m a poet. And then I put the poetry in the drama. I put it in short stories, and I put it in the plays. Poetry’s poetry. It doesn’t have to be called a poem, you know.
There have always been great defenses of poetry, and I've tried to write mine, and I think all of my work and criticism is a defense of poetry to try and keep something alive in poetry.
I began writing poetry when I was about 10. Bad poetry, but you start with bad poetry.
I began the way nearly everybody I ever heard of - I began writing poetry. And I find that to be quite usual with writers, their trying their hand at poetry.
I think the best American poetry is the poetry that utilizes the resources of poetry rather than exploits the defects or triumphs of the poet's personality.
Poetry is concerned with using with abusing, with losing with wanting, with denying with avoiding with adoring with replacing the noun. It is doing that always doing that, doing that and doing nothing but that. Poetry is doing nothing but using losing refusing and pleasing and betraying and caressing nouns. That is what poetry does, that is what poetry has to do no matter what kind of poetry it is. And there are a great many kinds of poetry.
Homosexuals are delicate and bad poetry is delicate and [Allen] Ginsberg turned the tables by making homosexual poetry strong poetry, almost manly poetry; but in the long run, the homo will remain the homo and not the poet.
When I devoted myself to poetry - and poetry is a very serious medium - I don't think the people that knew me as an individual with that tongue-in-cheek kind of humor...well, it didn't always lend itself to my poetry. When you're writing poetry, it's like working with gold, you can't waste anything. You have to be very economical with each word you're going to select. But when you're writing fiction, you can just go on and on; you can be more playful. My editor's main task is to cut back, not ask for more.
But most love poetry is awful; nobody knows how to write good love poetry either. But that's not a reason not to write love poetry. Some of the best poetry ever written has been love poetry, and some of the greatest poetry ever written has been political poetry.
I began writing for kids because I wanted to effect a change in American society. I continue in that spirit. By the time we reach adulthood, we are closed and set in our attitudes. The chances of a poet reaching us are very slim. But I can open a child's imagination, develop his appetite for poetry, and more importantly, show him that poetry is a natural part of everyday life. We all need someone to point out that the emperor is wearing no clothes. That's the poet's job.
This site uses cookies to ensure you get the best experience. More info...
Got it!