A Quote by Ben Okri
When you can imagine you begin to create and when you begin to create you realize that you can create a world that you prefer to live in, rather than a world that you're suffering in.
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Only one same reason is shared by all of us: we wish to create worlds as real as, but other than the world that is. Or was. This is why we cannot plan. We know a world is an organism, not a machine. We also know that a genuinely created world must be independent of its creator; a planned world (a world that fully reveals its planning) is a dead world. It is only when our characters and events begin to disobey us that they begin to live.
My teachers are saying that this is one of our greatest lessons that we have to remember if we're ever going to get out of this problem that we're in, not only with war, but socially and environmentally and everything that is being destroyed. We need to begin to live and create within our hearts rather than live and create from our minds.
I begin by looking for megatrends, changes in the world that will create major new demands. My goal is to create a company that can be there to meet those demands.
We already have the material means to eradicate deep poverty and thereby eradicate hunger. We have the material means to begin the tremendous clean up of the environmental messes we’ve created. We have, I believe, the psychological, emotional and spiritual means to create a world without war. We have the material means to create a world in which unnecessary human suffering has been drastically diminished. My vision for the future is that we do those things. And I think we will.
I create music; I create painting; I create whatever I want to create. I create, what you say, clothes. I create, I don't know, dance move. I create anything.
It's not true that you should first think up an idea for a better world and only then "put it into practice," but, rather, through the fact of your existence in the world, you create the idea or manifest it - create it, as it were, from the "material of the world," articulate it in the "language of the world."
When I create characters, I create a world to inhabit and they begin to feel very real for me. I don't belong in a psych ward, I don't think, but they become very real, like my own family, and then I have to say goodbye, close the door, and work on other things.
This is the whole secret of non-attachment: live in the world, but don't be of the world. Love people, but don't create attachments. Reflect people, reflect the beauties of the world - and there are so many. But don't cling. The clinging mind loses its mirrorhood. And mirrorhood is Buddhahood. To keep that quality of mirroring continuously fresh is to remain young, is to remain pure, is to remain innocent. Know, but don't create knowledge. Love, but don't create desire. Live, live beautifully, live utterly, abandon yourself in the moment. But don't look back. This is the art of non-attachment.
The essence of wisdom is to see that there is always a solution once you realize that the mind, which seems to create so much suffering, has infinite potential to create fulfillment instead.
I have nothing against investment banking, but it's like massaging money rather than creating money. If you're in physics, you create inventions, you create lasers, you create transistors, computers, GPS.
To create is always to learn, to begin over, to begin at zero.
When you begin to create the life of your dreams - or maybe better stated, when you begin to live the life that God dreams for you - you take responsibility to prepare for the future.
I write to make peace with the things I cannot control. I write to create fabric in the world that often appears black and white. I write to meet my ghosts. I write to begin a dialogue. I write to imagine things differently and in imagining things differently perhaps the world will change.
When we make films - even 2D films - you're always trying to create this illusion of 3D, anyway. You're trying to create a believable world with characters walking, in and out of the perspective, to create the illusion that there's a world. The desire and drive to create this illusion of three-dimensional space is something that is true about every kind of film because you want the audience to really be experiencing it, first hand. It's a natural extension of the storytelling and the process of filmmaking.
Why one writes is a question I can answer easily, having so often asked it of myself. I believe one writes because one has to create a world in which one can live. I could not live in any of the worlds offered to me - the world of my parents, the world of war, the world of politics. I had to create a world of my own, like a climate, a country, an atmosphere in which I could breathe, reign, and recreate myself when destroyed by living. That, I believe, is the reason for every work of art.
Our beliefs create the kind of world we believe in. We project our feelings, thoughts and attitudes onto the world. I can create a different world by changing my belief about the world. Our inner state creates the outer and not vice versa.
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