A Quote by Ben Peek

First published in 1984 when I was nothing more than sticks of bone at seven, 'Dragons of Autumn Twilight' began what would be one of the icons of my grunge-stained disenchanted childhood.
When I moved to Wales more than twenty years ago and began to research 'Here Be Dragons,' I was fascinated from the first by the Welsh medieval laws, by the discovery that women enjoyed a greater status in Wales than elsewhere in Europe.
If he wins seven golds and ties what I did, then it would be like I was the first man on the moon and he became the second. If he wins more than seven, then he becomes the first man on Mars. We'd both be unique.
My fashion icons range from bubblegum pop princesses to grunge queens.
My first band was called Nubert Circus, a very embarrassing, dumb name. It means nothing. We were kind of grunge. I would say we were more funny punk, a lot of songs about food and stuff like that.
In an age of speed, I began to think nothing could be more exhilarating than going slow. In an age of distraction, nothing can feel more luxurious than paying attention. And in an age of constant movement, nothing is more urgent than sitting still.
I got a finger that's literally bone-on-bone. This bad boy, it gets smaller. The more and more I do, it grinds bone-on-bone.
I'm not the only kid who grew up this way, surrounded by people who used to say that rhyme about sticks and stones, as if broken bones hurt more than the names we got called, and we got called them all. So we grew up believing no one would ever fall in love with us, that we'd be lonely forever, that we'd never meet someone to make us feel like the sun was something they built for us in their toolshed. So broken heartstrings bled the blues, and we tried to empty ourselves so we'd feel nothing. Don't tell me that hurts less than a broken bone...
When I was seven years old, I fell in love with a series published by Bobbs-Merrill called 'The Childhood of Famous Americans.' In it, historical figures like Clara Barton, Nancy Hanks, Elias Howe, Patrick Henry, and dozens more came to life for me as children.
Of the first seven novels I wrote, numbers four and five were published. Numbers one, two, three, six, and seven, have never seen the light of day... and rightly so.
I've had over a dozen and a half novels published since late 1994 when my first novel, 'Brother to Dragons, Companion to Owls' came out.
As far as the grunge thing, there are three bands from Seattle that I would call true grunge.
I was first published in the newspaper put out by School of The Art Institute of Chicago, where I was a student. I wince to read that story nowadays, but I published it with an odd photo I'd found in a junk shop, and at least I still like the picture. I had a few things in the school paper, and then I got published in a small literary magazine. I hoped I would one day get published in The New Yorker, but I never allowed myself to actually believe it. Getting published is one of those things that feels just as good as you'd hoped it would.
Genius is nothing more or less than childhood recovered by will, a childhood how equipped for self-expression with an adult's capacities.
I was a writer first, and knew I'd be a storyteller at age seven. But since my parents are very practical, they urged me to go into a profession that would be far more secure so I went to medical school. But after practicing medicine for a few years, while raising two sons (with a husband who was also a doctor) I realized that combining medicine with motherhood was more of a challenge than I could handle. So I left medicine and stayed home. And that's when I once again picked up the pen and began to write.
I imagine that my characters have become much more complicated than when I first began, which would be normal
I imagine that my characters have become much more complicated than when I first began, which would be normal.
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