A Quote by Ben Robertson
It is a great comfort to a rambling people to know that somewhere there is a permanent home--perhaps it is the most final of the comforts they ever really know.
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You don't know what inspires you. You like to think you know what inspires you, but in the final analysis I don't think you really do. It's great to look at a blank sheet of paper, you know, and walk up to an instrument and not know what's gonna happen. It's the most challenging thing I do.
I think finals are there to be won, you know the feeling of losing a final is really bad. I prefer to lose a semi-final, quarter-final because I know I will forget... But the feeling of losing a final stays here forever. Even if you win two, three, four, five it stays. You know, I’m too scared to lose, so I give everything to win.
The most important thing for me was to never, ever, ever deny it. But I didn't really have the courage to talk about it. I was thinking, The people who need to know I'm gay know.
Somewhere inside we do know everything about ourselves. There is no real forgetting. Perhaps we know somewhere, too, about all there is to come.
The Saviour and the Comforter, two Persons of the Godhead: the One ever saves from sins, and the Other comforts him who is saved. Their very names are taken from their deeds, and are always actually justified. He comforts! The Holy Spirit comforts the believing soul, as a mother comforts her child.
If I can still be successful making films and no-one will ever know me, then that would be great. Because we (actors) just like to do what we do. People who are doing it for fame, I don't know if they ever get really successful.
Just to be in love seemed the most blissful luxury I had ever known. The thought came to me that perhaps it is the loving that counts, not the being loved in return -- that perhaps true loving can never know anything but happiness. For a moment I felt that I had discovered a great truth.
I found that most people don't really want to know the truth. There are plenty of people who want to know the truth on their terms or require that the truth be contained within certain boundaries of comfort. But truth can never be known this way. You have to seek truth from a place of not knowing, and that can be a very threatening place because we think we already know the truth or we are afraid of what the truth might be.
I don't know if people know that Sylvester Stallone is one of the most decent gentlemen that I've ever met. He's the most consistent friend I've ever had.
Most of the great practitioners of the art of acting know exactly what they're doing; even in the best, most successful moments, when they let go of the awareness of what they are doing, they still, somewhere deep inside their body, know what they're doing. There is a craft.
Most actors will tell you this - I don't really know how to connect, empathize with, or make worthy of any revelation a character that doesn't have love in there somewhere, that doesn't have an idealism or an empathy in there somewhere.
All I know is, there's nothing we can't do at Clemson. I don't have to go somewhere else to win at the highest level, to recruit great players, to have great support - I really don't. I'm just really fortunate.
A poem is like a person. The more you know someone, the more you realize there is always something more to know and understand. A final understanding could probably only begin upon permanent separation, or death. This is why we come back to certain poems, as we do to places or people, to experience and re-experience, to see ourselves for who we truly are, and to continue to be changed.
I always rib people, but nobody ever gives me a hard time. I don't know why. Maybe they're afraid of what I might say. There's probably a lesson in that somewhere, but I don't know what it is.
I think there's a very fundamental urge to create a safe space, a home; most animals have that impulse, and humans certainly do - with some exceptions, like nomadic people who perhaps don't feel the need to settle in quite that way. But most of us do want to have space, somewhere we feel secure and where we repeatedly return. Somewhere we can sleep without fear. And there's nothing wrong with that desire. It's completely understandable. It only becomes ugly when that creation of a safe space involves making an enclosure from which other people are kept out.
People and places are the twin pillars on which most nonfiction is built. Every human event happens somewhere, and the reader wants to know what that somewhere was like.
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