A Quote by Ben Rosenfield
I don't particularly love live performance of my music. I love writing and recording, but you can't make money off of that.
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I've been on the road for so long that it's a part of my being. Even after all these years, I love playing. I love recording. I love writing. I love rehearsing. I love touring. I love all that stuff.
For some artists the live performance is the chicken before the egg of writing or recording of repertoire. For other artists the writing or recording of repertoire is the chicken before the egg of live performance.
I love music. I think music is a big inspiration; I listen to it a lot when I'm writing. I really love cinematic music. A lot of the time, I make playlists for my characters when I act. I also make playlists for the scripts that I write.
One of the things I love about music is live performance.
Everything is just make believe. They're just different versions of make believe. I love the period of this movie [The Finest Hours]. I love the '40s. I love the '50s. I love the style of the clothes. I love how the women looked. I love the dances. I love the music. I love the amber of the lights and the cars. I'm in love with all of it.
If you're recording the song on your four-track in your kitchen, when you finished writing the song, you're recording, and it's cool, and honor that. And maybe that's the version that should be released. And if you're recording the song again, it shouldn't be because there's a version you love that you're chasing. It should be because "You know what? I made a recording, but I don't love it emotionally." So, okay, then record again. And be in it and take advantage of the buzz and energy of "I'm getting to record right now!" It's such a beautiful and cool privilege.
Soundgarden signing to a major, then Mother Love Bone, and seeing the same happen to Alice in Chains. We were all suddenly making music and recording at the same time, and we had money to do it. It wasn't like a $2,000 recording that you do over a weekend. It's like, 'Wow, maybe this will be our job.'
Artists should re-emphasize performance and de-emphasize recording. You always make more money if you have a healthy performing life than you will if you have even a moderately healthy recording life. Don't make recording the most important thing you do. Make performing the most important thing you do, and then you can make recordings and sell them at your shows, because record labels aren't going to be around to help you get on the radio stations, and the radio stations probably aren't going to play you anyway.
I want to start recording and writing as soon as I can and get music that I love out as soon as possible.
When I started off in music, I started with a real innocence, a real love for the instrument, the writing the songs, the playing the songs and the sharing and the recording and experimenting. It was exciting. Then, this thing called success came, and something happened at some point where I became disenchanted, and I lost the innocence.
I also think something that makes the whole live performance fun for me is that I love my music.
I love making movies. I love writing. I love acting. I love it, and I feel really blessed to be able to actually make a living with something I love doing.
I love Donna Summer, and I love ABBA. I love late 70s disco. I love the Bee Gees. I just love that period of recording.
I love Donna Summer, and I love ABBA. I love late '70s disco. I love the Bee Gees. I just love that period of recording.
Love. How do we define this word? We love our family. We love food. We love the weather. We love our shoes. Love that music. Love someone's work. Love a movie. Love a celebrity. Love that time in life. Love love love!
For me, the most important thing is the element of chance that is built into a live performance. The very great drawback of recorded sound is the fact that it is always the same. No matter how wonderful a recording is, I know that I couldn't live with it--even of my own music--with the same nuances forever.
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