A Quote by Ben Schnetzer

It was humbling to play Mark Ashton. He was a political activist and a humanist, and there is incredible conviction in his vision. But when you're telling a political story, humour is crucial; otherwise, it can be in danger of becoming a bit preachy, and the audience can feel like they've got an agenda coming full steam at them.
It's very dangerous for a storyteller to walk into a situation with a political agenda because you end up telling a story about issues instead of telling a story about people.
I'm interested in telling the character's story, not my beliefs, political or otherwise.
If I ever called myself an activist, I regret it, and I was cornered into it by an industry who couldn't justify me taking up space without saying that I had some kind of radical political agenda because they saw my participation as a radical political thing. Which it was not.
Some people feel that it's controversial if I say that because my dad is known as a political artist. But I don't really believe that he was a political artist. I think some of his songs were political, and I think they were incredible because he was able to make art that was political and that wasn't pedantic. But I think he was unique in being able to do that.
I'm not a political comic at all, so it would be weird if I just turned into a preachy, sort-of political commentator.
A musician cannot move others unless he too is moved. He must of necessity feel all of the affects that he hopes to arouse in his audience, for the revealing of his own humour will stimulate a like humour in the listener.
When I was put up as a candidate for this, I was a political person. But after becoming the president, I become non-political, a-political, because president does not then belong to any political party.
Very unusual in an insurgency to have absolutely no political agenda other than to return to power. Most insurgents have a political side to them.
Let's be clear on one thing, the corporate media in America is no longer involved in journalism. They're a political special interest no different than any lobbyist or other financial entity with a total political agenda, and the agenda is not for you, it's for themselves.
When you're a storyteller, part of the process of storytelling is the kind of communion you form with the audience to whom you're telling your story. If some segment of the audience doesn't like that story, it doesn't feel good.
Many people have written about the economic meaning of globalization; in One World Peter Singer explains its moral meaning. His position is carefully developed, his tone is moderate, but his conclusions are radical and profound. No political theorist or moral philosopher, no public official or political activist, can afford to ignore his arguments.
Worst of all, however, is the devastation wrought by the misuse of religious conviction for political ends. In truth, we cannot sharply enough attack those wretched crooks who would like to make religion an implement to perform political or rather business services for them.
Self-righteousness and presumptive moral judgments pose a great danger in the political arena. To become convinced of the divine infallibility of one's personal predilections on a secular political issue is to play God, to assume to oneself the attributes of deity. It cultivates an arrogant intolerance of dissenting viewpoints and relegates one's political adversaries to the category of evil per se.
I dealt with people with diverse political views. If you find people who are your political opponents, and talk to them for an hour, chances are you're going to like them, and they're not full of hate.
You can judge the moral bearing of a political system, a political institution, a political man by the degree of danger they attach to the fact of being observed through the eyes of a satiric poet.
Judge Sotomayor is a liberal judicial activist of the first order who thinks her own personal political agenda is more important that the law as written.
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