A Quote by Ben Schnetzer
It certainly isn't like I'm reading scripts thinking I need to do something really different. But you want to stretch yourself and challenge yourself; that's really the major turnon when you're going into work.
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You become self-conscious and you begin to criticize yourself so much and watch yourself, and I don't want to ever do that. I want to be able to be free and explore. So I won't really watch it, but I would love to do, like, The Incredibles, or something like that. I would love to do a movie that's really, really good and animated. Inside Out, something like that. Something really smart.
But as an actor you do want to challenge yourself and step outside what you have done in the past and that what I like to do, I like to jump around and try different things and stretch myself.
Actors, by nature, are insecure. I don't see that as necessarily a bad thing. It is good to question yourself, be self-analytical. You get a better performance if you challenge yourself. If you go around thinking you're great, you're never going to challenge or scare yourself.
Some of those songs, you really have to bite them. You challenge yourself, you challenge the audience, you do something different. People weren't expecting it.
What we really need to be open to is diversity itself, especially in a business environment. What you want is a plethora of ideas; you want people with different life experience, people with different work experience, people from different cultures to bring something to the table that you otherwise based on your own coming up, you yourself wouldn't have thought of.
The hardest part is not to repeat yourself. I don't really believe my core obsessions are going to change, but you need to look for ways to express them that are different. The main reason for doing that is not to bore yourself, and obviously, I don't want to bore readers.
One of the things that I learned is that you never truly know yourself until you challenge yourself. It is when you are confronted with challenges that you see what you are really made of, what is important to you and what your true aspirations are...sometimes you think that you really know yourself, and then you find out that you really don't.
You can't really control how people are going to feel about you; all you can really do is be yourself. Because if you seduce somebody, and you seduce them by pretending to be a certain way, once they are seduced they are going to find that you are not that way. And then you have to maintain an image that's not real, so you really screw yourself. The best is to be yourself and hope they like you.
You're going to be waiting a long time before you start seeing money from it. Just really sit with yourself and think "Why do I want to be a singer?" like really think it out and if you realize that you really need to stick with then then be really focused and have good intentions on why you're doing it and it will work out.
I explained to Amazon that I don't like outlining or projecting what something's going to be. I like to allow a story to arise as I'm writing scripts. I find it horrible when I try to think of something for the plot without really being on the ground and seeing where it goes. I was really resistant to do the mini-bible. So I gave them something, but I really didn't want to do it that way.
That's the beauty of being an actress, is that you hopefully get to have different roles and really stretch yourself. This is really what I've been working for a while. I've been in the business for a minute, and it's an opportunity like this that I've been really working towards.
Everybody says, 'When you have kids, you really get away from yourself.' But really, it's the most selfish thing I've ever done. It's like, Okay, I'm going to create unconditional love for myself, and I'm going to need it and want it and ask for it every day, and I'm going to get it.
Everything's the same; I'm living with cancer and it's not going to stop me. But until you really test yourself and challenge yourself, I don't think you quite know.
Performance-wise, you really need to be down in the trenches; you need to do the hard work, for a lot of reasons: To build yourself as a performer, to get a sense of the audience, to work hard and to wonder, 'Do I really want to do this?'
Sometimes you can feel the gears shifting in scripts, like really trying to make something work that feels sweaty for whatever reason. I really enjoy reading material that just flows - it's definitely a skill to make something feel effortless.
You have to have a personal connection. You have to really want to do it, because if you don't, investing yourself personally, your thoughts, your emotions, yourself into a part, is something you're not going to want to do as much.
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