A Quote by Ben Schott
I spend a lot of time looking at rococo books. And almanacs used to be huge sellers - they were pretty much part of the fabric of life. I thought, this is bizarre, I'd love to buy a book like this, and there isn't one. So I thought, all right then, this could be fun. I'll write an almanac.
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I got the idea that to write books would be the best way to spend a life. I never thought of anything else that seemed like half as much fun, although in my next life I would like to be an architect, too, so I can have an easier time restoring houses.
When I go to buy a book, I always ask if it is right for me at this time, something I need right now. I think a lot of people go out and buy books because they love to read. They read it really fast and then move on to the next book. I don't do that.
I remember one letter from a girl in a midwestern town who read one of my books and thought she had discovered it- that no one had ever read it or knew about it. Then one day in her local library she found cards for one or two of my other books. They were full of names- the books were borrowed all the time. She resented this a bit and then walked around the town looking in everybody's face and wondering if they were the ones who were reading my books. That is someone I write for.
When we were making it [Star Wars], none of the effects were in. So the first time, I thought it was, you know, that - I mean, we were surrounded by English crew members that could hardly keep themselves together. They were, "Here comes the guy in the dog suit." They made fun of us, which was OK. But the first time I was sitting in a theater, and I saw all the effects in, and the big ship flew over the audience, and the sound rumbled, I pretty much thought we were close to home.
Last night I thought about all the kerosene I've used in the past ten years. And I thought about books. And for the first time I realized that a man was behind each one of the books. A man had to think them up. A man had to take a long time to put them down on paper. And I'd never even thought that thought before...It took some man a lifetime maybe to put some of his thoughts down, looking around at the world and life, and then I come along in two minutes and boom! it's all over.
I had a lot of great lakes of ignorance that I was up against, I would write what I knew in almost like islands that were rising up out of the oceans. Then I would take time off and read, sometimes for months, then I would write more of what I knew, and saw what I could see, as much as the story as I could see. And then at a certain point I had to write out what I thought was the plot because it was so hard to keep it all together in my head. And then I started to write in a more linear way.
I love you, he thought, looking at Win. I love every part of you, every thought and word...the entire complex, fascinating bundle of all the things you are. I want you with ten different kinds of need at once. I love all the seasons of you, the way you are now, the thought of how much more beautiful you'll be in the decades to come. I love you for being the answer to every question my heart could ask.
I've always thought Harper Lee might have made a great decision. Much as you'd like to have more books by her, there's something about just one that's kind of mysterious and nice. On the other hand, the New York gossip about me was that I'd never write another book. So I thought, 'Well, I will then.
I've always thought Harper Lee might have made a great decision. Much as you'd like to have more books by her, there's something about just one that's kind of mysterious and nice. On the other hand, the New York gossip about me was that I'd never write another book. So I thought, 'Well, I will then.'
I thought I could never write a proper book; I'd never done it before. But I thought I could write a sequence. Then I had a chapter. The next thing I knew I was turning acting down.
I never thought I'd be a writer. I never thought I'd be able to read a book, let alone write one. So if books like this inspire kids to write, or even read a whole book, I think it's good.
It's just that when you heard hip-hop, no matter where you were, it was a culture that kind of made you want to try to be part of it. Whether you thought you were an artist, whether you thought you could be a DJ, whether you thought you could breakdance, or whether you thought you could rap. It was the kind of culture that had a lot of open doors.
One day, I found this book at a used bookstore with 'Satanic Bible' written on the cover, and I thought maybe I should read it and see what it is. I thought it was like a religion, but then I read the book, and what was in it was pure life philosophy - and it was a life philosophy that described how I felt at that point.
I can only write a book like 'The Tin Drum' or 'From the Diary of a Snail' at a special period of my life. The books came about because of how I felt and thought at the time.
I've always thought flight was fun and wanted to write about flight, and I knew a lot of househusbands who were having a really bad time with it. I thought flight might perk up a marriage here or there.
We were so wholly one I had not thought That we could die apart. I had not thought That I could move,—and you be stiff and still! That I could speak,—and you perforce be dumb! I think our heart-strings were, like warp and woof In some firm fabric, woven in and out; Your golden filaments in fair design Across my duller fibre.
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