A Quote by Ben Schott

I have always loved the fluidity of language - delighting in dialects, dictionaries, slang and neologisms. — © Ben Schott
I have always loved the fluidity of language - delighting in dialects, dictionaries, slang and neologisms.
I love learning about different dialects and I own all sorts of regional and time-period slang dictionaries. I often browse through relevant ones while writing a story. I also read a lot of diaries and oral histories.
I've found that there are only two kinds that are any good: slang that has established itself in the language, and slang that you make up yourself. Everything else is apt to be passe before it gets into print.
I found cause to wonder upon what ground the English accuse Americans of corrupting the language by introducing slang words. I think I heard more and more different kinds of slang during my few weeks' stay in London than in my whole "tenderloin" life in New York. But I suppose the English feel that the language is theirs, and that they may do with it as they please without at the same time allowing that privilege to others.
I beg your pardon: correct English is the slang of prigs who write history and essays. And the strongest slang of all is the slang of poets.
The earliest dictionaries were collections of criminal slang, swapped amongst ne'er-do-wells as a means of evading the authorities or indeed any outsider who might threaten the trade.
I've always been very in tune to my voice and to other people's voices and how they express themselves vocally. And I always loved accents and dialects - I collected them like stamps.
Greek was very much a live language, and a language still unconscious of grammar, not, like ours, dominated by definitions and trained upon dictionaries.
Language is so specific to art, all the way to the past in China. Previously, people were not allowed to include various regional dialects in their films, but in every film that I've made, I've maintained the regional dialects of the characters because I wanted to make films that were locally specific.
Everybody has a language or code that they use with their wife or their girlfriend or boyfriend or what have you. It's a language aside from the language they have with strangers. I've always been maybe an abuser of alliteration, but I've always loved it and I like how those words sound together.
Everybody has a language or code that they use with their wife or their girlfriend or boyfriend or what have you. It’s a language aside from the language they have with strangers. I’ve always been maybe an abuser of alliteration, but I’ve always loved it and I like how those words sound together.
In general, American slang is much better than English slang. The entire world picks up American slang.
It definitely sharpened my interest in language, the way people used language, slang words, speech patterns. There's a big advantage to being the outsider.
Words have always been political, and that means that, in many people's minds, dictionaries are political. Because that's what dictionaries do: they do words.
Ever since third grade, I had a notebook and was putting together words just for fun. I liked different etymologies, different slang that came out in different eras. Different languages. Different dialects.
Other dances are like languages, like French or Spanish, but my steps are slang, and slang is always changing.
Slang has always moved this way. From Cockney rhyming slang to codes swapped among highwaymen, they're tribal badges of identity, bonding mechanisms designed to distinguish the initiated, and to keep strangers out.
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