A Quote by Ben Schwartz
At the very beginning, I was a page at Letterman, and I freelanced for any place that would let me write any word. I wanted to do this so badly. Then when I got a tiny bit of success, I was petrified that I was going to lose it.
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At the very beginning, I was a page at Letterman, and I freelanced for any place that would let me write any word. I wanted to do this so badly.
When I got a tiny bit of success, I was petrified that I was going to lose it. I still feel it.
You've got to write badly. If you write badly at least you've got something to rewrite. If you're scared to write badly, then you've got nothing.
When it's going well [writing] goes terribly fast. It isn't at all surprising to write a chapter in a day, which for me is about twenty-two pages. When it's going badly, it isn't really going badly; it's just the beginning.
O thanks be to the great God I got somebody to give me what I badly wanted to put some heart up into me youve no chances at all inthis place like you used long ago I wish somebody would write me a loveletter.
I have a little bit of a belly, a tiny bit of pooch. It's the one thing I don't want to lose. I just like having some softness. If I lose that, then Tom might leave me.
I've learned to be more reserved, watch what I'm saying; I got in a little bit of trouble. People tell me 'Never lose that, never lose that,' but then I get in trouble so I have to lose it. I'm trying to keep a little bit; I'm never going to lose who I am, I just gotta tone it down a little bit.
I was a very determined kid. I couldn't imagine any other life for myself. This happens to kids who are different in any way. How am I going to make a life? Who am I going to be when I grow up? Will there be a place for me in the world? Acting gave me a sense of purpose, but it also gave me a sense that I would survive, that I would find my place.
I was a huge David Letterman fan, even going back to when he was on NBC. My parents would only let me watch a half hour of television a day, so I would record Letterman the night before and then watch it when I came home from school. That's what made me want to do a T.V. show.
I was nervous from the very beginning, and it got worse as the years went on. I was conscientious and wanted to do more, always, than I was able. I don't think, when I was playing, that I was ever happy - beginning at 4 o'clock any afternoon.
For me it is very difficult to understand the mind frame of somebody who would take time to write something hateful or negative on anybody's page for any reason.
When we got Tesla going at the very beginning, if you asked me what I thought the odds of success were, I would have said less than 50%. I would have said that failure is the most likely outcome.
Any of the rewards or accolades or any of that are very nice and everything but the music is what saves me. And it did. I would write my way out of any kind of depressing period.
My goal from the very beginning was just to write good songs that don't require any production to be felt or understood. I wanted to be able to sit in a room with a guitar and play the song from beginning to end and have it be as impactful as if you heard the studio version with all the bells and whistles.
When I was in grade school and we had to write papers about what we wanted to be when we grew up, I wanted to be a social worker or a missionary or a teacher... Then I got involved with tennis, and everything was just me, me, me. I was totally selfish and thought about myself and nobody else, because if you let up for one minute, someone was going to come along and beat you. I really wouldn't let anyone or any slice of happiness enter... I didn't like the characteristics that it took to become a champion.
With twenty six letters, you can create anything you like - any person, any world, any place, any emotion. And they are so potent, so powerful, and at the same time, they're marks on the page, and that's all. There's nothing else to them.
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