At the very beginning, I was a page at Letterman, and I freelanced for any place that would let me write any word. I wanted to do this so badly. Then when I got a tiny bit of success, I was petrified that I was going to lose it.
For me it is very difficult to understand the mind frame of somebody who would take time to write something hateful or negative on anybody's page for any reason.
Any of the rewards or accolades or any of that are very nice and everything but the music is what saves me. And it did. I would write my way out of any kind of depressing period.
My goal from the very beginning was just to write good songs that don't require any production to be felt or understood. I wanted to be able to sit in a room with a guitar and play the song from beginning to end and have it be as impactful as if you heard the studio version with all the bells and whistles.
With twenty six letters, you can create anything you like - any person, any world, any place, any emotion. And they are so potent, so powerful, and at the same time, they're marks on the page, and that's all. There's nothing else to them.
O thanks be to the great God I got somebody to give me what I badly wanted to put some heart up into me youve no chances at all inthis place like you used long ago I wish somebody would write me a loveletter.
When I write, the first blank page, or any blank page, means nothing to me. What means something is a page that has been filled with words.
I had no place in any coterie, or in any reciprocal self-advertising. I stood alone. I stood outside. I wanted only to learn. I wanted only to write better.
In the beginning was the Word. It doesn't say in the beginning was God. In the beginning was the Word because in the very beginning of every moment of time and space your word counts. Your whole destiny is written in the Word.
One of the more popular activities was “Talk-O-Matic”. Five people at a time could write messages, and read each other's messages, on the same screen. Today, Internet chat rooms work on the same principle. One of the remarkable new features of this page was that you could log in with an invented name, and pretend you were anyone you wanted - any name, any age, any gender. One favorite trick was to log in using the name of someone else already logged into the page, simply to confuse everyone else.
I think from the very beginning with 'We Are Young,' there was never any question about where we wanted the song to go and what we wanted it to sound like. And we knew that we wanted it to be big, we wanted it to be booming over the speakers at an arena or something.
I would rather write poems than prose, any day, any place. Yet each has its own force.
I was a very determined kid. I couldn't imagine any other life for myself. This happens to kids who are different in any way. How am I going to make a life? Who am I going to be when I grow up? Will there be a place for me in the world? Acting gave me a sense of purpose, but it also gave me a sense that I would survive, that I would find my place.
Bierce radiates brilliancy, and perhaps no other man of letters ever had a more ready command of condensed expression. For him, each word has its unique place in the peerage of words, and he would not use a word out of place any sooner than he would thrust an ape into a captain's saddle.
I was nervous from the very beginning, and it got worse as the years went on. I was conscientious and wanted to do more, always, than I was able. I don't think, when I was playing, that I was ever happy - beginning at 4 o'clock any afternoon.
I don't feel I write fast. I write in longhand and do so much revision. On the page, it's so old-fashioned. I could write a whole novel on scrap paper, scribbles and things. I keep looking at it and something develops. For me, using a word processor would mean staring at a screen for too many hours.