A Quote by Ben Shahn
I was primarily interested in people, and people in action, so that I did nothing photographically in the sense of doing buildings for their own sake or a still life or anything like that.
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I graduated from Wesleyan University with a B.A. in art. I was really headed toward an architecture degree, but when I did the requirements for the major, I realized I was more interested in how people live in buildings than in making buildings. I was more interested in the interactions that happened inside the structures.
I graduated from Wesleyan University with a b.a. in art. I was really headed toward an architecture degree, but when I did the requirements for the major, I realized I was more interested in how people live in buildings than in making buildings. I was more interested in the interactions that happened inside the structures. So I got an art degree as a default position.
Yahya Khan wasn't interested in the government of the country, he was interested in power for its own sake and nothing else.
I know that the Communists are atheistic and godless, but I don't think that that's what's primarily the matter with them. What's primarily the matter with them is that they worship a false god. That's much more dangerous than when people don't believe anything; they may be confused, they may not have a sense of the meaning of life, but they're not dangerous.
It seems like many people think that if you drive yourself crazy, then you can write. I’m absolutely not interested in that. It made sense to me to be as whole and well as I could be, and as happy. I wanted to see what a fortunate life would produce. What writing would come out of a mind that didn’t try to torment itself? What did I have to know? What did I have to do rather than what can I torment and bend myself into doing? What was the fruit on that tree?
In a critical sense, doing nothing can mean doing something. Inaction can be action and embracing this paradox can save your life.
I'm not interested in gothic storytelling or the horrific for its own sake. I'm always interested in it as a way of getting at larger ideas or important meaning. And you don't see that as much as you'd think in the history of horror cinema. A lot of times, it's scariness for scariness' own sake.
'Science in itself' is nothing, for it exists only in the human beings who are its bearers. 'Science for its own sake' usually means nothing more than science for the sake of the people who happen to be pursuing it.
I'm interested in extrovert characters, people who are doing something. But I used to only be able to photograph people I was interested in or attracted to, either psychologically or physically. That all changed when I did the 'Go Sees.'
Neither one of the parties is doing anything for poor people. They're both full of it. Black people have been voting Democratic their whole life, and they're still poor. And the Republicans don't do anything for poor people, either.
Norman Rockwell spent his career painting pictures that helped people understand their own feelings...pictures that enriched their own experiences and celebrated their own lives. But the art establishment branded him an 'illustrator', a sentimental one at that. Real artists, they said were doing art for art's sake, not for the sake of the bourgeois public. Real artists were putting swiggles, smears or daubs of paint on the canvas. They were doing 'innovative' and 'creative' work. If they were hideous and grotesque; we know that's what life really is!
People help way more than we expect, way more than makes sense. But when you talk to people called heroes, they often say they did it for themselves. In one case, a hero said that the cost of not doing it is so great, the sense of shame, when he knew that he was strong enough, that the fear of not doing anything was more frightening than the fear of dying.
My direction as a person working in film has been to never get comfortable with anything I was doing. At the time that I decided to do action films, people were telling me, "Well, you can't do it. You're not that type. It's not going to work." And so obviously that made me think, "Well, that's not comfortable. Maybe I should try it. What can I do with it?" So I did that, and I'm glad I did it. I'll probably do it again, and I did other kinds of things that seemed like challenges for me, because I like being on the high wire.
I still feel like we're the underdogs, but I feel like people respect us now. People might not like our band or love our music, but I think people respect the fact that we've been doing this for many years and are still doing it and still able to play three giant New York City shows and have people come out.
What interested me the most was that when I [traveled to Europe] I knew what Joseph Beuys was doing, he knew what I was doing, and we both, we just started to talk. How did I know what Daniel Buren was doing, and to an extent, he knew exactly what I was doing? How did everybody know? It's an interesting thing. I'm still fascinated by it because, why is it now, with the Internet and everything else, you get whole groups of artists who have chosen to be regional? They really are only with the people they went to school with.
I remember coming back to the U.K. after spending five months in Charlotte for 'Homeland,' and I just found myself just wandering around London. There's nothing like it - the buildings, the architecture, the sense of history, the sense of culture - there really is nothing like it.
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