A Quote by Ben Stein
The poor black people in it make the black people in Gone With the Wind look like Malcolm X.
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A lot of racism going on in the world right now. Who's more racist? Black people or white people? Black people. You know why? 'Cuz we hate black people too! Everything white people don't like about black people, black people really don't like about black people.
But for poor black people and working-class black people, it is a much more difficult way to go. The over-incarceration of black people is just intolerable. When you look at the disparity in terms of education and access to fair schooling, it is horrible. If this would happen to white people in this country, it would not be tolerated.
I was more than anything a radical. I was more sympathetic to Malcolm X than Martin Luther King because Malcolm X was more of a radical who was willing to confront discrimination in ways that I thought it should be confronted, including perhaps the use of violence. But I really just wanted to be left alone. I thought some laws, like minimum-wage laws, helped poor people and poor black people and protected workers from exploitation. I thought they were a good thing until I was pressed by professors to look at the evidence.
I like the way black looks. I think I look better in darker clothes. And maybe the fact that I wear black so much makes me more aware of putting people at ease. The black is sort of the bad-guy guise, so I work overtime to make people comfortable.
Poor is the new black. So on this film [The Land], there are poor black people, but there are also poor Latinos, and poor white people as well.
I come from an era of black pride, black power, my father riding around listening to James Brown singing, 'Say it loud: I'm black and I'm proud,' and people walking around with African medallions and Malcolm X hats.
I've never seen a sincere white man, not when it comes to helping black people. Usually things like this are done by white people to benefit themselves. The white man's primary interest is not to elevate the thinking of black people, or to waken black people, or white people either. The white man is interested in the black man only to the extent that the black man is of use to him. The white man's interest is to make money, to exploit.
Black is confusing. Where does the line start and stop with what is black and what isn't black? People that are mixed-race, or, imagine being from Sri Lanka or Bangladesh, people might say you're black but your features are so non-black, like you've got straight hair, you've got like a sharper nose, or such.
As a black person on the outside, because there's so much black art and so much of black people's work circulating, so many people imitating what black people do, you would think that there'd be more black people on the business side. It didn't cross my mind that every label head, for the most part, is a white guy.
You can't have anything valuable in your house. Niggers will break in and take it all! Everything white people don't like about black people, black people don't like about black people. It's like our own personal civil war. On one side, there's black people. On the other, you've got niggers. The niggers have got to go. I love black people, but I hate niggers. I am tired of niggers. Tired, tired, tired.
Among liberals and Democrats, there is this notion that the poor - especially the black poor - can do no wrong. If you criticize any poor and black person who displays inappropriate, boorish or egregiously bad conduct, you'll be dismissed as a racist if you're not black. And as an Uncle Tom or sellout if you are.
I wanted to make sure the focus [in The Land] was on human beings themselves and their decisions, but still connected to the urban environment that people associate as being black. I think I was able to make a film without commenting on "black this or black that" and you still feel the presence of it. There's no one character who's saying "we're all black and we're all in this struggle." It's that you just feel it. Some of that is because we get the sense from a lot of independent films that black people struggle all the time.
Many times, I get young people asking, 'What do you think about black movies?' And I say, 'What are you talking about? You mean Hollywood movies that have black people in them?' It's gone back to that, and that's not the same thing as a black movie.
When someone asks me about violence, I just find it incredible, because what it means is that the person who’s asking that question has absolutely no idea what black people have gone through, what black people have experienced in this country, since the time the first black person was kidnapped from the shores of Africa.
My concern was first, for the black people of Mississippi, then I became concerned for black people nationwide, now my concern is for black people all over the world. I began to realize that it's not as much about race as we think it is. It's about the rich vs. the poor. I feel as if the different races are pitted against one another so we won't see the bigger (financial disparity) problem.
The establishment wants to connect with people who are like them, and I wasn't. I'm a black gay man from a poor working-class family. Most of the people who look like me are in prison.
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