A Quote by Ben Stiller

The cliches are that it's the most generic Starsky and Hutch plot you can find. — © Ben Stiller
The cliches are that it's the most generic Starsky and Hutch plot you can find.
I'm someone who had a deep emotional attachment to 'Starsky and Hutch.'
Our reward for Starsky and Hutch was getting to write The Six Million Dollar Man for Todd.
I'd been brought up on... American TV: 'Lou Grant,' 'Starsky & Hutch;' 'Gilligan's Island.'
I loved television. 'Starsky and Hutch' was my show. 'SWAT.' Both Aaron Spelling shows. Loved 'em.
Tina Fey and I have 15 things in development: 'Laverne and Shirley', 'Starsky and Hutch 3', 'Cagney and Lacey', 'Wonder Twins Activate From Two Hot Broads', 'Little House on the Prairie: The Musical: The Movie'.
My house is a bit like a teenager's bedroom. The kind of pictures you have hanging up on your wall say a lot about you. I've got ones of Evel Knievel, Elvis and Starsky and Hutch, signed by David Soul.
I've always wanted to play a detective. Always loved detective shows, right back to 'Columbo', 'The Rockford Files', 'Starsky & Hutch'.
Beware of clichés. Not just the ­clichés that Martin Amis is at war with. There are clichés of response as well as expression. There are clichés of observation and of thought - even of conception. Many novels, even quite a few adequately written ones, are ­clichés of form which conform to clichés of expectation.
I'm ashamed to say this, but I watched every episode of 'Starsky and Hutch' as a kid. I loved that show, but now I think it's stupid - they'd have a car chase for no reason, then Paul Michael Glaser would shoot the car and it would blow up.
I was deeply in love with David Soul from 'Starsky & Hutch' when I was 11 or 12. I used to borrow my mum's peach nighty and put some lipstick on and say I was going on a date with him. I made this little purse and would carry a picture of him in it and say he was my boyfriend.
On 'Old School,' I was not an actor, I was Snoop Dogg, so I came to the set with a whole different vibe, and a different crew of people. And on 'Starsky and Hutch,' I was more of an actor. I wasn't Snoop Dogg, the rapper.
I watched American TV shows: Starsky & Hutch, Dallas, Rockford Files, Bonanza. And for many summers growing up, I worked on my aunt and uncle's farm in East Anglia. Down the street was an American cemetery for the Second World War, and every Memorial Day an American bomber would fly over that cemetery and drop rose petals.
If I have done anything, it is to make ugly appealing. In fact, most of my work is concerned with destroying—or at least deconstructing—conventional ideas of beauty, of the generic appeal of the beautiful, glamorous, bourgeois woman. Fashion fosters clichés of beauty, but I want to tear them apart.
To idealize: all writing is a campaign against cliché. Not just clichés of the pen but clichés of the mind and clichés of the heart.
It is a cliche that most cliches are true, but then like most cliches, that cliche is untrue.
Educators shouldn't be afraid of cliches. You know why? Because kids don't know most of them! They're a new audience. And they're inspired by cliches.
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