A Quote by Ben Stiller
Paul is Starsky, and I met him before shooting. He was very kind and encouraged us to go with what we wanted to do. It was very sweet to see them back with the car after 25 years.
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One of the proudest things I see is, now, 25 years after I graduated, when I go to a Syracuse sporting event, there's a senior or a junior from WAER broadcasting sports just the way we did, and just the way it happened a couple generations before us. That's a great legacy for the university and a great tradition that still continues to this day, and makes those of us who were a small part of it very very proud.
Walt had a seat-of-the-pants approach on what he wanted musically. We kind of 'read' the boss and had a very high batting average, but there were occasions when he felt we had just written the wrong piece for the situation he wanted. We invariably listened to what he wanted - he was very descriptive in what he wanted and we could read him. We'd go back to the drawing board and work out what he wanted. He was a great inspiration, but a tough taskmaster.
I was very blessed it was Steven Spielberg who made the movie. He was very much into the redemption side of the story. They asked him in an interview why he had owned the rights to this story for 20 years before he made the movie, and he said, 'I wanted to see what the real Frank Abagnale did with his life before I immortalised him on film.'
I played golf for 25 years before I made a hole-in-one of any kind. I was on the tour for years before it finally happened. Eventually I made 23, but boy, that first one was a long time coming. It was the price I paid for not shooting at every flag.
When George asked me to be the prequels, it was the same kind of meeting - it was very short and to the point. It was nice to see him after a long time, and we met in a hotel room.
I'm ashamed to say this, but I watched every episode of 'Starsky and Hutch' as a kid. I loved that show, but now I think it's stupid - they'd have a car chase for no reason, then Paul Michael Glaser would shoot the car and it would blow up.
When I was a sophomore, a friend asked me to go to a local acting seminar with him. Two guys were very interested in me and wanted me to come out to L.A. I wanted to finish high school before doing anything like that. I figured they’d just forget about me, but they kept after me for two years.
I first met my husband when I was 15. He was very cool, in a band, all that kind of thing, but he took a long time to grow up. Our paths crossed again 10 years later, and after about two weeks I knew that was it. I'm glad I met him when I did, even though I was fairly young. Because I think sometimes you can crystallise into singledom.
I look back on the early days of Free with Paul Kossoff with the most fondness of any of my bands, because I met him at a time when I was in London and very hungry, and we believed in each other.
They are a very tough opponent, and they took us the first game. So we want our revenge, and we are going to go right back after them hard. We are really looking forward to getting after them.
I was once in a very, very bad car accident. So my drawing arm is full of pins and platinum stuff. Occasionally it hurts. But I found that after the arm was put back together I could draw better than before. I have no idea why.
Back before 'Brick,' I wrote a short film that I never ended up shooting: hit men in the present who work for a mob in the future who send their victims back in time. A guy is sent his future self, he lets him run, and the whole short was them chasing each other across the city. That sat in a drawer for 10 years until after I made 'Brothers Bloom.
Property crime is down 40 percent. We just don't want to see it creep back up. We've had 25 years of very good cooperation.
When I came to know that director Sujoy Ghosh wanted me for a role in a Hindi film, I was very surprised. I had never met him before.
Steve Howe met Paul Simon and said that Paul was very approving of our version of 'America.'
I was at a Madonna show many, many years ago and I was in the sweet spot and she came out and I mean it was the best part of the show. And I was shooting, shooting, shooting, shooting. And I'm like, "God, I must have shot a hundred pictures have I not run out of film?" And I opened the back of my camera and there was no film in there. So that happened to me only once.
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