A Quote by Ben Thompson

It's impressive when you're such a mysterious fictional character that even avid enthusiasts are debating your existence within the mythos. — © Ben Thompson
It's impressive when you're such a mysterious fictional character that even avid enthusiasts are debating your existence within the mythos.
The mythos-over-logos argument points to the fact that each child is born as ignorant as any caveman. What keeps the world from reverting to the Neandertal with each generation is the continuing, ongoing mythos, transformed into logos but still mythos, the huge body of common knowledge that unites our minds as cells are united in the body of man. To feel that one is not so united, that one can accept or discard this mythos as one pleases, is not to understand what the mythos is.
It's more difficult playing a real-life person than a fictional character - you can go easy on yourself with a fictional character.
I don't think there is a fictional character who resembles me because fictional characters are not real!
I have always been an avid bike rider. Even before I became an avid bike rider, I was an avid bike stealer when I was a kid. I am very educated on bikes.
I quote fictional characters, because I'm a fictional character myself!
To create a character who really interests you, try combining aspects of your favourite fictional character with a real person.
Like every human we have to categorize ourselves, so you kind of start to build a mythos 'cause I had no information about [ biological mother]. So you have to build a mythos around yourself. And so my mythos included me not being wanted or me being a wretched person, which is just great fertilizer for comedy.
That which destroys the old mythos becomes the new mythos.
What is essential to understand at this point is that until now there was no such thing as mind and matter, subject and object, form and substance. Those divisions are just dialectical inventions that came later...They are just ghosts, immortal gods of the modern mythos which appear to us to be real because we are within that mythos. But in reality they are just as much an artistic creation as the anthropomorphic gods they replaced.
I've got no business giving advice to anyone. Even a fictional character.
Basically you come up with the fictional idea and you start writing that story, but then in order to write it and to make it seem real, you sometimes put your own memories in. Even if it's a character that's very different from you.
I had always had a deep interest in social science, history. So even when I was in high school, I was debating, and in college debating, and interested in contemporary events.
The physical organism itself then, even as you know it, exists and moves and reacts and influences, and is influenced by, many fields or planes of actuality; and its existence as you know it in your universe is determined by and dependent upon its existence within other fields, of which man is still intellectually ignorant.
My approach is always the same. I try to be as honest as possible. Find the real honesty and humanity in the character because even a fictional character is supposed to feel real. And my job is to find that reality and bring it to the screen.
I consider myself as a character actor. I like the sports analogy, which I do all the time; I'm an avid sports guy. I'm a golfer, but I grew up as sort of an avid fan and participant in baseball, and I'm like a relief pitcher. My job is to come in and throw strikes.
The way you argued with me, you would have thought that we were debating the existence of God or whether or not we should move in together. These kinds of fights can never be won – even if you’re the victor, you’ve hurt the other person, and there has to be some loss associated with that.
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