A Quote by Ben Webster

I used to live at the Cecil Hotel, which was next door to Minton's [Playhouse]. We used to jam just about every night when we were off. Lester [Young], Don Byas and myself - we would meet there all the time and like, exchange ideas. It wasn't a battle, or anything. We were all friends. Most of the guys around then knew where I lived. If someone came in Minton's and started to play - well, they'd give me a ring, or come up and call me down. Either I'd take my horn down, or I'd go down and listen. Those were good days. Had a lot of fun then.
We used to rehearse and that's where the roots of Dream Theater formed. Y'know, we used to play cover songs and jam to [Iron] Maiden and stuff but we were writing songs and it was this metal, loud style and we'd constantly get knocks on our door, because the rehearsal rooms were right next door to each other, and these jazz guys would be like, "Can you guys turn it down a little?"
When I used to be a contract player in 1954 at Universal, I wasn't getting good roles. I was getting one-liners, and then I'd be gone. But I'd hang around; I'd watch guys. And when I had days off, which was most days, I'd go down and watch other sets while they were shooting. Watch Joan Crawford or whomever. Just watch how they worked and how the director handled them. I didn't know anything about making movies, and there's a lot to learn.
Our nights didn't begin until after noon. Because in the old days, you'd start Birdland at 8:30 or 9 pm and play until 4 in the morning. Then you'd go out to the corner and talk to a couple of musicians - I used to talk to Oscar Pettiford a whole lot - you'd stand there till 7, 8 or 9, or else go down to the jam session at Minton's.
I got to meet a lot of cool people [on the Voice], and my favorite part about the experience was getting to sit around and do little jam sessions in the hotel. We were pretty much in lockdown at the hotel in downtown Los Angeles, and there wasn't much to do. It was interesting to be in a room with someone that was a rapper next to me, a country artist, then you have someone playing a song on the keyboard, and it was just really cool as just a random ensemble.
I was composing before I realised I was a composer. It came more or less naturally. There were a couple of old ladies lived next door to me, and I frequented their house more than I did my own, because it had all those marvellous things in that that old ladies do have. And they had a piano, and I used to play around with that; they showed me how to read music and I used to play to them.
I was stealing the ball from all the guys. Every time they dribbled the ball, I used to take it, and I'd go down the court, and I'd either lay it up myself, or I'd pass it to one of my teammates. I was getting a lot of excitement from that; I felt good about doing that.
I used to be pretty hard on myself, like, if I didn't like a haircut I did on someone, I would think about it a lot and second-guess myself. But after therapy and a lot of work, I know how to dust myself off a lot faster, and those things don't knock me down as much as they used to.
A lot of my friends, when I was 14 or 15, they were all up and down, wanting to go out on a Friday night, and my dad had me working really late on Fridays and Saturday mornings and even on Sunday mornings. And when I'd finished all that, we used to spend the rest of the time talking about boxing.
I started on 'Saturday Night Live' the same time Conan started on Late Night. We just had a relationship because I would be upstairs in the studio and whenever he couldn't get a guest - which was often back then since he was just starting out - he would just call me down to be a guest.
I started on 'Saturday Night Live' the same time Conan started on 'Late Night.' We just had a relationship because I would be upstairs in the studio and whenever he couldn't get a guest - which was often back then since he was just starting out - he would just call me down to be a guest.
I hung out a lot with the ring crew guys. I got along better with them then I did the other guys, the other talent. The guys that show up early in the morning and set the ring up and stay there all day and then take the ring down and drive five and six hours that night to get to the next show.
In my own field, x-ray crystallography, we used to work out the structure of minerals by various dodges which we never bothered to write down, we just used them. Then Linus Pauling came along to the laboratory, saw what we were doing and wrote out what we now call Pauling's Rules. We had all been using Pauling's Rules for about three or four years before Pauling told us what the rules were.
Im just trying to be positive. I like the guys (Im) around. Even though were not at the record Id like to be, even after a loss, guys are mad, but then we have fun and you move on. They look up to me. Ive been around eight years. A lot of these guys were in junior high or high school when I came into the NBA. I see how much of an influence I am off the court. I try to be careful how I approach things on and off the court, because I know these guys are watching.
My grandfather's family used to own a pasta factory in Naples and they would go door-to-door selling their pasta. So his love of food came from his parents, which was then passed down to my mother and then again to me.
In 2019 folks were coming across the border and were sitting down, they were sitting down waiting for Border Patrol to come up because they knew they would be released within a matter of hours if not days into the interior of the U.S. and that was the goal.
I was the strongest during my career, and that helped me a lot, definitely in the beginning, when I needed to race against riders who were much older than me and had the power and the experience. I could beat them with my technique. At a certain moment I not only had the technique but then the power came and the experience, and then you are on the best level that you ever can reach. But then the explosivity starts to go down, you're more afraid, and the technique goes down a bit. But it's OK, because it never goes completely down.
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