A Quote by Ben Weinman

The GH50L is a monster of an amp. It's refreshing to play an amplifier that is loaded with tone but without unnecessary bells and whistles. Raw and powerful. — © Ben Weinman
The GH50L is a monster of an amp. It's refreshing to play an amplifier that is loaded with tone but without unnecessary bells and whistles. Raw and powerful.
If people want bells and whistles and all of that, there are bells and whistles available. If they don't want bells and whistles there are places to go where they are not available.
When I'm at home or in the studio, I have a 1963 Martin. It's a D-28, and I love that guitar. I write on that guitar, and it's the first guitar that I put a pickup in and ran through an amplifier, splitting the signal to the amplifier and a DI or in the studio mic'ing it traditionally and putting an amp in the other room.
When making any record, a producer has a list of things you hope an artist brings to the studio. Songs that are strong even without the bells and whistles.
I love when an artist can stand by themselves and play their guitar and hold a crowd, but I also love bells and whistles.
Are you quite sure that all those bells and whistles, all those wonderful facilities of your so called powerful programming languages, belong to the solution set rather than the problem set?
Hear the sledges with the bells, Silver bells! What a world of merriment their melody foretells! How they tinkle, tinkle, tinkle, In the icy air of night, While the stars that oversprinkle All the Heavens seem to twinkle With a crystalline delight: Keeping time, time, time, In a sort of Runic rhyme To the tintinnabulation that so musically wells From the bells, bells, bells, bells, Bells, bells, bells-- From the jingling and the tingling of the bells.
I remember one of the first gigs I played with that amp was at a local church. They wanted someone to fill in with the guitar and my friend say, 'Ah, he can play.' And so I dragged the amplifier down and started playing and everybody started yelling 'turn it down!'
The 'Hey Monday' songs were always glammed up to be this big production, and I definitely want there to be some bells and whistles like synth or drum loops, but for the most part, I want a simple yet powerful production.
Life's not always going to be bells and whistles.
Like, when I write a song, the song comes first before production. Everything is written on an acoustic guitar so you can strip away everything from it and have it be equally as entertaining and good without the bells and whistles.
I'm so used to knowing what to do with an electric guitar and amplifier, but with an acoustic guitar, it's different, but I still have an amp and a whole bunch of pedals.
Digital platforms are worthless without content. They're shiny sacks with bells and whistles, but without content, they're empty sacks. It is not about pixels versus print. It is not about how you're reading. It is about what you're reading.
What I like about Kickstarter is it helps games that people want to play still get made, even if you don't pump $20 million dollars into it to try and meet all the stupid bells and whistles that publishers feel must be in games nowadays.
When I got my first Marshall amp, it was so empowering. No one ever forgets their first Marshall amp if you're a guitar player pursuing a big powerful sound. I mean, no one ever forgets their first Marshall amp.
My goal from the very beginning was just to write good songs that don't require any production to be felt or understood. I wanted to be able to sit in a room with a guitar and play the song from beginning to end and have it be as impactful as if you heard the studio version with all the bells and whistles.
Our show doesn't rely on the typical whistles and bells, and smoke and mirrors. It relies mostly on the music.
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