A Quote by Ben Whishaw
Even today, England is a very repressed, repressive country, and there's pressure to be kind of a certain way, so people do things that ultimately make them sad.
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When it comes to having conversations with girls what I hear from them is that there is a lot of pressure to look a certain way, act a certain way, perform a certain way, and there are very mixed messages. We are telling them, 'Be yourself, be true to who you are,' but what does that mean in a society of comparison, competition, and individualism?
With Serbia, there will always be pressure. We are the kind of players and people who do not know how to live without pressure. Even if we play against Brazil or some of the other bigger countries, we think we are better than them. That is the way we are. People expect us to beat the big teams, and we have plenty of pressure from within.
For most women, whether you're an actress or whatever you do, there is this pressure in society and within the world to look a certain way, dress a certain way, act a certain way, say certain things, and be this idea as opposed to being a person.
It would be nice to abandon the verse-chorus-bridge structure completely, and make it so none of these things are definable. ... Make up new names for them. Instead of a bridge, you can call it a highway, or an overpass. ... Music should never be harmless. ... I remember from my earliest years, people speaking, you know, in a certain kind of rhythm and telling stories and sharing experiences in a way that was different in Indian country than it was other places. And I was really struck by this and obviously very affected by it, because it's always come out in my songs.
Of course you cannot make a Messi or a Maradona. But even players who are not considered very skilful, if you coach them in a certain way you can make them better.
Even if my songs are quite sad or quite dark, I don't want my songs to make people sad. It's very important for me that all my songs have some kind of hope or light.
I think I have a certain kind of style. I think at the same time, I'm aware that there's certain things that I did as a playwright in certain plays, and I try not to repeat myself, even though I have a certain kind of sensibility, and I tend to gravitate toward certain things.
I really love the combination of Israel and England. They are completely different. The British are very private and keep things to themselves, while Israelis aren't that way. In England, I couldn't make friends with people in the supermarket or people who work at my bank or post office, but in Israel I can, and I like that.
That's always a fun thing to play, a relationship where there's equals. I often play roles that are repressive, or women who are slightly repressed or having some kind of internal conflict.
One of the things I do in banking committees is put pressure on them, and one of the other things I do is through my website, through outside pressure, and I ask people to come and help us join that fight where we can get people outside to keep putting the pressure on the Senate to make sure there are no compromises and weakening of Dodd-Frank.
I learned to stop being English about things like love. If you make a film in England about love, it's hugely complicated. It's all about saying what the weather is like, and you're secretly telling someone you love them. You know what the English are like; they're very repressed people. You don't get that in India. India is incredibly un-cynical about love. It's a not a complicated thing. It's me, you, love. Let's go.
I had a thought, on the way home from the rock field, that the things we don't know about a person are the things that make them human, and it made me feel sad to think that, but sad in that reassuring way that some sadness has, a sadness that says welcome home in twelve different languages.
I think that the tendency for most people is to fall back on a comic interpretation of things because things are so sad, so terrible. If you didn't laugh you'd kill yourself. But the truth of the matter is that existence in general is very very tragic, very very sad, very brutal and very unhappy.
There are certain times when you can maybe intimidate certain people to force them to make a mistake. There are other people you know that you've got to make a clean pass. I try to make clean passes. That's something that I've been doing since I was 7 years old and that's the way I like to do it. It doesn't mean I always do it that way, but that's the way I prefer to do it.
The England job is unique and brings a certain pressure. I've experienced some of that pressure at the clubs I've been at.
It's not the norm when creators have any protections with regards to creative control. And so it took some time, I think, for the strip to gain enough popularity where I had enough leverage to come in and say, "It has to be done in a certain way or it's not going to be done at all," and then have people willing to put up with that who were ultimately paying for it. You know, for them to be willing to kind of concede those kind of things. It just takes time, you know?
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