A Quote by Ben Zobrist
When I'm at the plate, I'm not thinking about what I'm trying to do with the bat - I'm thinking about what the pitcher is trying to do with the ball.
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When the ball is over the middle of the plate, the batter is hitting it with the sweet part of the bat. When it's inside, he's hitting it with the part of the bat from the handle to the trademark. When it's outside, he's hitting it with the end of the bat. You've got to keep the ball away from the sweet part of the bat. To do that, the pitcher has to move the hitter off the plate.
Since the election [of Donald Trump], I've been thinking about a lot of theory. Lots of [Michel] Foucault and [Karl] Marx, thinking about different systems, thinking about power. Trying to figure out what I can take and learn from history as a tool for getting through whatever is happening right now, which feels very significant and major.
When I was in high school, I wasn't thinking about getting a scholarship. I was thinking about trying to go and dominate. Same thing in college. I just have to focus on playing the best football I can.
When I go to the plate, I think about putting the ball in play. It's important to get on base and get some walks, but I don't go to the plate thinking of walking.
If a pitcher goes up there and he's throwing a ball and it's a breaking ball down and away or a fastball up and in, a perfect pitcher's pitch, and you're able to just foul it off and stay alive in the at-bat, just keep grinding, keep working through the at-bat and hoping for that mistake that he's going to make. And if he doesn't, then you walk.
I have never taken a job or done a job where I felt I needed to leave my conscience at the door. One of the the great things about not being in politics as a career is that I can do this job without thinking about my career. I can think about what we're trying to do, what we're trying to accomplish and what we're trying to leave.
I have never taken a job or done a job where I felt I needed to leave my conscience at the door. One of the great things about not being in politics as a career is that I can do this job without thinking about my career. I can think about what we're trying to do, what we're trying to accomplish and what we're trying to leave.
You're thinking about a dish, you're thinking about an ingredient, and in many ways, you end up becoming a naked chef in front of the customer, because what you put on the plate is you. It's who you are and where you've been.
If you're thinking the road ahead is a little shorter than the one behind you, you're thinking about trying to write a good song and hoping to make a decent record of it.
When I'm shaving, I'm thinking about what I need to accomplish that day. If it's game day, I'm thinking about schemes, thinking about my matchup for that game. If it's practice, I'm thinking about what film we're going to watch. Or if it's a recovery day, I'm thinking of what body parts are aching and what I want to work on.
I was thinking about all these things and more, but I wasn't really thinking about them at all. They were just there, floating around in the back of my mind, thinking about themselves. What I was really thinking about, of course, was Lucas.
Trying to analyze a situation without enough data was like looking at a photograph of a ball in flight and trying to gauge its direction. Is it going up, down, sideways? Is it about to collide with a baseball bat? Is it moving at all, or is something on the blind side holding it in place? A single frame didn't mean a thing. Patterns were based on data. With enough datapoints, you could predict just about anything.
You're in a movie, so you have to think about how something plays. It's not like you're thinking about how an audience is going to react. You're trying to present the story. You're trying to illuminate the lives of these people in the story. So I'm thinking about how my behavior as this character best illuminates what's going on with them in this moment in time. I always say it's sort of the director's job. People think that the directors direct actors. No. Really, what the director's doing is directing the audience's eye through the film.
I was trying to make art that my son could look on in the future and would realize I was thinking about him very much during these times... that he can look and see my dad's thinking about me, but to also embed in these things something that is bigger than all of us.
I have a song called "Men." I mean, manhood and trying to be one, and failing as one, and trying to be a husband and a father, and failing at that. I love failure. It's stuff that I'm thinking about all the time in my life, so it would make sense to me anyway to write about it.
The idea of my kids being spoiled, I go to sleep thinking about it. I wake up thinking about. I'm trying to do the right thing. With the amount of money I have, it's difficult to raise children the way I was raised. But I took away the west and north wing of the house for those guys. So, they're not allowed in there.
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