A Quote by Benedict Cumberbatch

As an actor, you are aware of how a role can seep into your real life. — © Benedict Cumberbatch
As an actor, you are aware of how a role can seep into your real life.
As an actor, you can do what you want with your role. That's why they hire you; to take the role and make it real.
I don't see myself as one type of actor. When you get one role, you start to get cast in that role for awhile because that's what people have seen you do, and have hopefully seen you do it successfully. And so, it becomes an easier thing to see you as, for casting directors and directors, and they start to think of you as that particular person or type of character. But, for me, I'm just an actor, first and foremost. The actors I respect are the real character actors, who are the real chameleon actors that completely change from role to role.
From a Buddhist point of view, emotions are not real. As an actor, I manufacture emotions. They're a sense of play. But real life is the same. We're just not aware of it.
When an actor gets a role, especially in series television where he really is the part, the audience never thinks of another actor playing that role. If they accept you in the role, then they can't separate the actor from the character.
It is how you approach the role given to you, and how you relate to that character and then how you adapt and gel into that role which makes you a good actor.
The muscularly developed actor is not seen as a serious actor although he should be seen as a serious actor because he has been preparing for these muscular roles his entire life. If you can dedicate years of your life to hitting the gym and dieting and eating right you can definitely take a movie role seriously.
The only disadvantage to directing if you've been an actor is how self-conscious you are. When I'm directing, I'm always so aware when I'm speaking to an actor of how easily I could throw them off by saying something careless or not being clear or concise. So it does make you watch your words in a way that sometimes is unhelpful.
As an actor you have to have a strong vivid imagination as you're working and when the camera's rolling, but there's certainly a part of you that is aware of real life, that you're making a movie.
I didn't ask to become a role model, but it was thrust upon all of us, regardless of whether you acknowledge it. You have to come to a decision as an adult and say, "I've got to live my life." There's nothing wrong with thinking ahead and being aware of how it might affect somebody - everything from a post to where you have dinner to who you're with. But these aren't things you can let consume your life.
Whatever is going on in your life when you're writing has to somehow seep into your work.
I was a glamorous actress in Mumbai. I had done Sanjay Gupta's 'Musafir.' I wanted to know how Buddhada thought of me in the role of Supriya, Rahul Bose's unhappy wife in 'Kaalpurush.' It needs a visionary film-maker to see an actor in a role that seems very removed from her real personality or on-screen image.
I actually cut my sentences a lot. I'm very aware of the actor, giving them too many words - just a mouthful of words - it's difficult sometimes for an actor. So I'm kind of aware of breaking sometimes the line, the sentence with a comma where maybe there wouldn't be a comma there. Just to give a breathing space for the actor, just to be aware of that.
Life happens from within. How aware you are of it, decides the quality of your body, your mind, and your experience of life.
It's been really important to me to create moments where there's a breath or moments where there's a laugh or moments where there's real life that's allowed to seep in through the cracks of whatever melodrama is happening, because that's what does happen in life.
For me, I had to overcome shyness to be an actor. But as a director, you lose your subjectivity, your self-consciousness. And instead of just your role, it's the life of the whole play that becomes a reflection of you.
I was very aware of the legend, from such an early age. Being a Brit, you are so aware of King Arthur, Camelot, Guinevere and Morgan, the witch. Merlin is this mad magician who's cloaked in mystery. It has that mystery about it. And, it's a lead role for a woman that's strong and has a real journey to take.
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