A Quote by Benedict Cumberbatch
There are moments when, like all of us, you get a bit self-conscious and you'd rather not be living any of your day in public. Those are the awkward times, but you've got to have fun with it.
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I've got friends who are so good at getting away with things, like going up to the desk to get upgraded on a plane, for example. I haven't got any of that kind of confidence in those situations. I look so awkward. I act awkward. I'm really apologetic. I fail to get anything that way.
I've got friends who are so good at getting away with things, like going up to the desk to get upgraded on a plane, for example. I haven't got any of that kind of confidence in those situations. I look so awkward. I act awkward. I'm really apologetic.
The gap is not between knowing it and living it, it's between knowing it and living it consistently. You know, we've all had moments when we got it right. Most of us have moments when we get it right every day. The trouble is getting it right when a curve-ball comes at us.
God bless him, I mean a lot of times you get non-actors on a set and they get really self-conscious, especially when doing something crazy like singing along with Phil Collins. They get sort of reserved and self-conscious. Mike [Tyson] completely trusted Todd [Phillips] and totally put everything into it.
It's supposed to be fun. You should come to work every day and not have insecurities and not be self-conscious; just be your wonderful, perfect self.
I think those moments in Patti's [Smith] bedroom really helped the film [Dream of Life] out, and those moments existed because of the trust between us. There isn't any real self-consciousness in the film because we all like each other.
Honestly, a lot of the time, I'm like, 'Oh, my god, I've got so many lines to learn,' that I have to focus and get in into a bit of a zone, but there are always moments to have some fun.
I flattered myself that I was rather empathetic, that I had rather good imaginative empathy. I've realized now that that was a complete self-delusion and that I didn't really have any comprehension of what it was like to see your entire life go catastrophically wrong in a matter of moments.
Most of the time, when you are in the studio, you are revealing yourself; you're a bit naked. You can express your weaknesses, your awkward way of approaching sound. Sharing these intimate moments is like inviting somebody into your private room.
I was at an all-girls' school, so there were a lot of us who were really awkward. I was this tall when I was 11, so I was really awkward and self-conscious. No one would really have wanted to be mean to me. I was too unimportant.
I was so awkward and gangly, and went through puberty way too young - I got really self-conscious about it.
If I learned one thing, it is that self-doubt is one of the most destructive forces. It makes you defensive instead of open, reactive instead of active. Self-doubt is consuming and cruel. And my hope today is that we can all collectively agree to ban it. .?.?. Think to the moments of your life when you forgot to doubt yourself. When you were so inspired that you were just living and creating and working. Pay attention to those moments because they're trying to reach you through those lenses of doubt and trying to show you your potential.
Let all your moments of self-doubt, fear or disappointment fuel your drive to be great. Because it will be in those moments of fear that we have to realize we must redefine success and what it means to us.
I think 26 is the turning point. I’ve got to make up for 10 years of living like a degenerate. I’ve suddenly become conscious of being unhealthy. You’ve spent every bit of free time since [the age of ] 15 in a pub. And suddenly you’re like, ‘Oh God, I don’t want to be this grey ghost sitting there with a pot belly. I’ve got to get it together.
There's often rarely any dialogue in a sex scene. With your fellow actor, it's good to talk about what the unspoken dialogue is, that's happening in the scene. You've got to play something rather than feel self-conscious or exposed.
When you're working on something where there's usually one sex scene in the film, it all gets a little bit of a gray area and people get a bit uncomfortable and awkward. You just get through it. But, it became very clear on this that that can't happen. There can't be any gray areas on this because there are actors and actresses coming in for a day or a couple of days, as well as people who are there regularly.
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